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Nov 15 2023

TO WHERE I AM NOW

Today I got an email from the Rough Trade shop for the top albums of the year (so far, I suppose). So I started listening to try and understand. Although I couldn’t see it with Nation of Language or Caroline Polachek – I did see it with Wednesday whose album Rat Saw God I liked, and also Lankum’s album False Lankum, quite different records. I already had Sufjan Stevens‘ Javelin, boygenius‘ The Record, Baxter Dury‘s I Thought I Was Better Than You, Daughter‘s Stereo Mind Game, Durand Jones‘ Wait Til I Get Over, Everything but the Girl‘s Fuse, Julie Byrne‘s The Greater Wings, Slowdive‘s Everything is Alive, Queens of the Stone Age‘s In Times New Roman…, Fever Ray‘s Radical Romantics, Emma Anderson‘s Pearlies, PJ Harvey‘s I Inside the Old Year Dying, Dream Wife‘s Social Lubrication, The Clientele‘s I Am Not There Anymore, Ben Folds‘ What Matters Most, and Lucinda Williams‘ Stories From a Rock n Roll Heart. So that’s 16 of 100 I have, but it didn’t stop me from buying another copy of King Crimson‘s In the Court of the Crimson King today from 1969, yes, I went back there and bought it new.

The love-hate relationship with the internet and digital is positive when you can listen to Wednesday and Lankum and discover them. Remember the days of listening booths? You have to be pretty old to remember that, pretty and old. One thing though, I always had a relationship with my local record shop and used to rely heavily on what the person behind the counter made me aware of. I still listen to Jorge, José and Rui at Tubitek, and rely on them to make me aware of something great that I might have missed.

After picking up the records from Chico today, Sarah and I went and had that amazing deal in the supermarket café – double decaf espresso in a large cup, pastel de nata x2 – €2.78. Welcome to Portugal. In the supermarket, we ran into Tirion and Jamie, who works at Kellys Records in Cardiff. He commented on my Electric Warrior T-shirt and he asked me about record stores, so he friended me on FB and I sent him some tips.

Olivia had been to yoga, Olivia and Sarah had painted the floor today in one of the rooms, but tonight it was rehearsal. We went through the whole set, torturing the fingers and challenging the memory. I’d had an earlyish morning, a sesh with Bob in Boston, but I was ready to do it. It was a short break and into NJ Brian’s final tweaks on the Valley of Salt album as well as Brooklyn John P’s mastering. Tomorrow we get into a project that doesn’t exist – and the mixes.

Music today has been Wednesday – Rat Saw God (2023). Noisy at times, screaming too but at other times it has that ingredient that makes the difference, just listen, but don’t stop listening halfway through the second track, listen on, it’s not all screaming.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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