• Skip to main content
  • Skip to primary sidebar
  • Bands & Projects
    • Marty Willson-Piper
    • Marty & Olivia
    • Bands
      • All About Eve
      • Anekdoten
        • How I Joined Anekdoten
      • Atlantæum Flood
      • The Church
        • Sleeve Notes
      • Noctorum
      • MOAT
    • Sessioneer Projects
      • Afridi/Willson-Piper
      • Arktik Lake
      • Blueburst
      • Space Summit
  • Discography
  • Gear
  • Talking
  • Lyrics
    • SOLO ALBUMS
      • In Reflection
      • Art Attack
      • Rhyme
      • Spirit Level
      • Hanging Out In Heaven
      • Nightjar
    • NOCTORUM
      • Sparks Lane
      • Offer The Light
      • Honey Mink Forever
      • The Afterlife
    • MOAT
      • Moat
      • Poison Stream
    • Seeing Stars
  • Sleeve Notes
    • Of Skins And Heart
    • The Blurred Crusade
    • Seance
    • Heyday
    • Starfish
    • Gold Afternoon Fix
    • Priest = Aura
  • Bandcamp

Marty Willson-Piper

The official home of Marty Willson-Piper

  • News
  • Blog
  • Shows
  • Songwriting & Guitar Guidance
  • In Deep Music Archive
  • Contact

Oct 24 2023

TO WHERE I AM NOW

Tonight we went to Public Image Ltd, aka PiL. I got a call out of the blue from Lars, who I know from Bremen in Germany and from hanging out with Carlo van Putten, singer in The Convent and Dead Guitars. A few weeks ago Lars sent me a message after not seeing him for maybe 20 years telling me he was coming to Porto. Yesterday he sent me a message asking if I wanted to go and see Public Image and that he could put me on the guest list. So that’s what I did, Olivia came a little later as she had something on, but we found ourselves hanging with Lars, his daughter Kaya, and Jorge and Xana the promoters (Vítor from the music shop was there too, and Phil from Lush). What was it like?

Well, it was dancey grooves with John doing his shouting over the top, real foot-tapping music with lots of vitriol and swearing, an odd mix really. This Is Not A Love Song (1983) in the set, the Public Image song (1978), and Rise (1986) were the standouts as songs, but as grooves, all the songs worked well. Those more well-known ‘songs’ actually felt like real songs and not just grooves with shouting. There was a definite lack of songs as such, but the spectacle of John with a groove and that unique howl is probably enough. Did you know he had a bodyguard on stage with him at all times called Rambo?

The day had been very wet, I looked out of the window and water was gushing out of the gutter. I was trying to get to the stereo shop to pay them for the NAD cleaning and when I finally did I also visited the second-hand store opposite and bought the armless mannequin with the kool head. They charged me €20 and a tin of coke. I carried the mannequin under my arm to The Archive and set her next to her new mannequin mate. Olivia was off buying a tailor’s torso for €5, so we could put the new T-shirt on it at the upcoming Spanish and Portuguese gigs.

We went out to pick up a new office chair for the studio desk and I made a detour to Chico’s record store to pick up the first Osibisa album (1971) he’d kept for me. I then went to the record store to ask if I could have the PiL poster they had on the door behind the counter as I was going to the gig. I met Olivia and we rolled the chair in its box around on our little trolley. At one point I went to take it upstairs in the lift. The lift door opened and there were three people standing there, all holding their noses. I asked what was going on in Spanish (que pasa?), they just said there’s a terrible smell in here. I didn’t get in, I waited for the other lift, I’m not quite sure why they didn’t get out if it was so bad.

Music today has been the first Public Image Ltd album First Issue (1978). Angular experimental disco with a serving of contemporary anxiety, bile, and a societal reality check.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

Reader Interactions

Leave a Reply Cancel reply

You must be logged in to post a comment.

Primary Sidebar

  • spotify
  • facebook
  • youtube

Liking the blog?

Tour Dates

Mailing List

In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
ORDER HERE

"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

MARTY WILLSON-PIPER © 2023 - Front Page Images by Hajo Müller