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Aug 01 2023

TO WHERE I AM NOW

It’s kinda muggy today and I was glad that I only needed one short trip outside. The deck outside was kicking with revellers, the heat drives people nuts. There’s more graffiti on the back window, it’s pink and compliments the room, thoughtful of them. This made me wonder about Banksy, who is he? How has he managed to stay anonymous, has nobody ever seen him at work? The only explanation is that he is ‘hoody heavy’, with a false beard and one of those plastic noses and glasses, perhaps on stilts, so he can get to the higher walls. Then there are the accoutrements needed for his work, does it all fit in one small bag? Last but not least the value of everything he does is off the scale, what a strange phenomenon he is.

What exactly is physical graffiti, isn’t graffiti physical by definition of it being graffiti? My mates Dan and Dianne lived opposite the building on the Zep album cover in St Marks Place in New York. Whenever I went over there I acknowledged it, never ignoring it, but growing up in the Liverpool area I suppose I didn’t think much about Penny Lane even though I had a mate that lived there. Do people who live in Paris go and visit the Mona Lisa at the Louvre? Do people who live in Madrid go and visit the Bosch paintings, The Haywain Triptych, The Garden of Earthly Delights and the Museo del Prado? I remember once Boydie showed me where they filmed the famous scene in the underpass walkway for A Clockwork Orange in Aylesbury, haha, only concrete.

All the times I’ve been in Dallas I never went to the site of the Kennedy assassination, but I did go to the place where General Custer fell in the Dakotas, that was really interesting. When you see the topography, you can see how foolish he was and how he met his demise. I also went to see Elvis’ house, no, not Graceland (although I have been there twice) but the house in Tupelo where he spent his early years. Tiny little place, and it was late at night and completely quiet, to think that from there, the stars exploded so brightly.

I’ve also been to Frida Kahlo’s house (Casa Azul) twice, which may have contributed greatly to the idea of painting The Archive in what I call “South American colours”. It was so beige in here, it was dead, but now it’s alive, the colours gave it lungs and you can see its sweet breath in the hallway and in the rooms.

Music today is the patchy Led Zep album Physical Graffiti (1975), one wonders where they were going with this double album, it’s so varied that there would always be someone who was unhappy – Kashmir to Down By The Seaside. If you like variety, then this album is for you, but you have to like The Zep in the first place, many do, many don’t.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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