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Jul 18 2023

TO WHERE I AM NOW

It was a mega-drillathon today as the fake floor got laid down in the back room. The thing with fake floors is that they are still there. The problem is that they don’t age, they break, and you can see the importance of this in aged new guitars, aged furniture, or brand-new jeans that are ripped to pieces. The fake floor doesn’t wear out as quickly, neither do metal window frames, but if you can stop the wood from rotting away, it’s better for your soul, who could ever imagine that a wooden window frame could be good for your soul?

Jorge dropped around today, he was in the neighbourhood and told me he and his wife Telma are having a baby, which means that my guitars are stored in the future nursery, so it looks like they’re coming home. On the subject of instrument travels, the piano found its way from the middle of the room to its spot, progress.

Earlier in the day I went down to Tubitek, the record store, because I sent them my record want list by mistake. The list consists of all the new records, new releases, reissues, and box sets that I would like to purchase, but first I have to listen to them to see if I ‘really’ want them, otherwise, it would be tens of thousands of dollars. Having said that, it is an archive, but I have to leave some things behind otherwise I’d have to phase out eating.

On the subject of dinner, I went out into Cedofeita to have dinner with Shelly and Jason and their friends Jeff and Sharon. It’s a hip part of town and good to discover a new restaurant with good food and a friendly staff. We righted the world’s wrongs and eradicated war and disease from the planet. We have a music colony being built on one of Jupiter’s moons and a recording studio on Mars, we are using the valleys of Pluto for natural reverb.

I walked back from the restaurant through the kool streets of Porto. It was a Tuesday but in July there are people everywhere, all the bars and restaurants are full. Unlike the rest of Southern Europe, we are not dying in the terrible heat. Porto is near the sea and a cool breeze wafts across the city at night. In the daytime, it’s warm in the sun but not threatening, and sitting in the shade is comfortable too. Come to Porto, see The Archive, and that reminds me we have to soon start thinking about Phase 3 as the renovations are finishing up and we have to bring everything from storage in England.

Music today has been Galen & Paul – Can We Do Tomorrow Another Day? (2023). It’s the unlikely collaboration between The Clash’s Paul Simonon and Kevin Ayers’ daughter Galen. You tell me what you think about it because I’m listening to it as I write.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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