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Jun 15 2023

TO WHERE I AM NOW

A shorter day in the studio because we went to see Love & Rockets at The Factory in Deep Ellum. Quite a large venue with a lot of people in black T-shirts reminding us about The Cure, Joy Division, Talking Heads, Pink Floyd, and in my case the In Deep Music Archive, so no one under thirty – it shows that generations take their cult bands with them and the new generation doesn’t care how hip or cool they are/were. Apparently, the band hasn’t been to Dallas for twenty years, but then they haven’t been anywhere for fourteen years. What do they sound like, noisy, they make a racket for three people in sunglasses.

Some kind of punky, glam, Sabbath with dance in them, incorporating addictive gothic nursery rhymes in songs like No New Tale To Tell and Kundalini Express. I’m always surprised to see so many people attend an alternative concert with such angular tones, although the Bauhaus legacy obviously helps. The light show was an impressively updated hangover from psychedelia and on the subject of days of yore, Norman Whitfield and Barrett Strong’s Ball of Confusion and adding War into the medley was a nice touch. I was glad about the earplugs, though.

The day started with Tess coming into the studio to play cello on a song that was going to make the cello the main instrument, the riff, the feel, all dominated by her. It worked so well that the scratch track guitar was condemned to the land of mute. After this track we had her play on a song that only became a potential cello song a few hours before, so it took some time to work out parts and see what worked, it was tricky, there’s some odd harmony part that takes the song to interesting places that the basic chords don’t reach. Sarah and Olivia overseeing Tess because they love the cello.

After Tess, we had Rich come in for piano on two songs, one which has been changed into another key and the second the same one that Tess experimented with. Salim was back today and contributed a good idea for the chorus and then we were done as we had to get to the venue. We went via the accom where we dropped off computers and violin before heading to the venue where we picked up guest list tickets for four of us, Kevin (engineer) who is a big fan and as it happens lives two blocks from the venue, Sarah and Olivia and me. Thank you to the band and all who made that happen.

Music today has been Vinsantos – A Light Awake Inside (2009), who supported Love & Rockets in Dallas last night. A true artist with Agness Twin on guitar and backing vocals, the evening’s performance.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
ORDER HERE

"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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