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May 31 2023

TO WHERE I AM NOW

Just got back from seeing Al Di Meola and band at the Kessler Theater in Dallas. A virtuoso performance with two nylon string guitarists, Al and his clever mate whose name is nowhere to be seen online, and two ace percussionists who also remain nameless, not even on the website which seems odd for these highly talented individuals that make up the band. The quartet plays songs in the instrumental style of flamenco, jazz, and world music. Chords you’ve never seen, speed you can’t see, but with some humble stories in between about The Beatles. Speaking in a New Jersey accent about being too shy to speak to John Lennon and being in awe of McCartney when he accidentally rented a house next door – to work on interpretations of Beatles songs, he came across as rather down to Earth despite his lofty skills.

I always thought he was from Argentina, both the cover of his second album Elegant Gypsy (1977) and his constant interpretation of Astor Piazzolla’s material, so hearing him speak in a defined Jersey accent was amusing. I bought this album when it was released and it has been a firm favourite on my turntable ever since. It’s never a style that I attempted to play, wanted to play, or had the skills to play but I admired it from a distance. At the show, Di Meola told about the time when there were no mobile phones and computers and the hours a day he spent practising instead, yes, we noticed.

He played two Beatles songs from his album Across The Universe (2020) that I bought recently. Norwegian Wood and Because had vague connections to the actual songs, a melody somewhere in there bookmarked by more jazzy speed trips but although he’s easy to criticise when it comes to the indulgent complexity of his work, what seems like gratuitous noodling and chords so bizarre that they are on the edge of being discordant, you allow him the space (not that there’s much) to carve out what he hears in his head, you don’t have to go and see him or listen to his records if you prefer The Clash. What is most amazing for me about this music are the rhythms, again complex but irresistible and executed with a percussionist from Spain with a full kit of things to hit. Also, a girl who came backstage in Peru who apparently so blew his mind in a jam that he immediately invited her to join the band. The other guitar player who I think was from Argentina was as much a virtuoso as big Al.

The show was sold out and I was surprised to see so many people so interested in such complex music that at times reminded me of avant-garde classical composers as much as it did jazz. Of course, there was no one under 30, and mostly everyone was over 40. As a non-drinker, I always wonder about the people who get up and go and get another drink in the middle of a song, breaking the spell. It breaks my spell too being shaken out of the moment by someone trying to get past you. I want to be in the world of the music, not the audience, obviously, Al needs the audience to vibe off, especially on this, his first show of the tour, the atmosphere is important. No problem but it made me think about the non-smoking rule and how it must have angered smokers whilst having non-smokers cartwheeling out of the gym. I’m not wanting to ban alcohol from shows but I’m sure a lot of smokers appreciate smoking being banned almost as much as non-smokers. Can you imagine that smoking in restaurants was normal? It was normal even if you chose to go posh and expensive to order a delicacy served by a trained expert in gastronomic fayre, cooked by a magician, and to then have smoke blown in your face as you eat it.

All in all, it was a great show by a surprisingly humorous and humble man with spectacular talent. Apparently, Chick Corea called him at short notice to join Return to Forever when he was just 17 after hearing a tape, his first gig, Carnegie Hall, his dad asked who is Chuck Corea and his mamma signed autographs as Al’s Mom.

Music today has been Al Di Meola’s Across The Universe (2020), his second Beatles tribute album after All Your Life (2013). Because is on the first album, Norwegian Wood is on the second album.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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