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May 26 2023

TO WHERE I AM NOW

Today was seven hours of Tess. Who is Tess? Tess is the cellist. We love working with Tess, she started to play the cello when she was three and that grinding bottom cello C string is something to behold. In this sesh we had her tune it down to B so it was even deeper. It sounded like a three-funnelled steamer sailing into an Egyptian port in 1949.

Working on records with an array of different instruments is a real buzz. When we worked on the Space Summit record we only worked on drums and percussion for a solid five days, getting the beds down on 21 songs. Ok, we recorded some Salim bass on one song but it was a marathon of drum recording and Jason did an amazing job with his energy and ideas. Engineers Kevin and John made sure it all sounded good and we experimented with sounds and patterns with Jason hitting bits of metal (haha) as well as traditional drums.

But back to today, once we had all the cello parts down, my brain exploded. Working out parts for songs on that instrument is an interesting challenge because it’s such an amazing instrument that it sounds good whatever you do. So we have to really work on developing the part throughout the song and not just have it everywhere. There are other instruments too, guitars, bass, piano, and sometimes the frequency that the bass sits shares the same space as the cello frequency, it depends on which bass and the part but you don’t want them getting in each other’s way, like two strikers going for the same ball from a corner at the cup final colliding with each other and missing the ball.

After the cello we worked on some drum parts with John, we were replacing bongos with real drums, always a relief, haha. Next came tambourine and then John enticed us out of the studio to go to the Kessler Theater in Oak Cliff in Dallas to see his friends’ band Pleasant Grove. A strange mixture of country, moody desert sounds, and odd left turns. I’ve been here before to see Nick Lowe, it’s a nice place, a perfect size.

Music today has been Pleasant Grove’s Auscultation Of The Heart (2003), the album’s 20th anniversary was celebrated last night. You can go to their Bandcamp page here.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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