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Jan 22 2023

TO WHERE I AM NOW

Time to drive to Maryland but first Jeanne was showing me where someone had left a pile of cassette tapes on the street for people to take. Apparently, a lot had gone already since the previous day but I did take two sealed blank Maxell tapes as I like to get ideas for songs down on cassette at home. The tapes that were still there were seventies artists, I imagine recorded from albums (and meticulously labelled) in an effort to have as much music as possible. The albums you bought were one thing but taping your friends’ albums was an affordable way to increase your collection. Not good for the artist financially but no one can ever afford every cool record that gets released, this way at least you got to spread the word and maybe buy the band’s next album on vinyl because you had a chance to listen to the tape a few times and become a fan. It’s like bootlegs, for all the hoo-hah about the artist not getting paid, it was only the true fans that ever bought them, and they had every album you made anyway, we liked the bootleggers for giving us more material. If the quality was dodgy (and sometimes it was and sometimes it wasn’t), you didn’t care, you loved it anyway. I’m not sure how many bootleggers got rich.

The trip down to Maryland was long and scary, not least because the Starbucks we stopped at on the highway had no espresso, no cream cheese for the bagels and no brown sugar for the oatmeal – the next one had the cream cheese but not the bagels, haha. The gods of weather and breakfast were against us from the start. We were trying to get down to meet sessioneer NJ Brian near Cherry Hill in South Jersey because he had my Seagull and was lending me another 12-string for the house concert at Tery and Jen’s in Frederick. The only problem was the traffic, the tolls and the accident that had us stopped for an hour on the highway. We were late but Brian was able to meet us in a Wawa car park anyway, with not two but three guitars. he brought me his Taylor and his Takamine 12-strings to choose from which I did later on.

Darkness fell and rain started to fall heavily making visibility difficult. There were trucks tearing down the highway into the blackness at seventy miles an hour, the roads were dimly lit and the reflection of the headlights on the wet black tarmac from the cars coming towards us made the whole second half of the trip precarious. We were originally trying to get to Tery and Jen’s at 4.30 but it was closer to 6.30 when we arrived, at least we were in one piece.

Lots of good homemade food helped as we met the friends and family that were there to see us and hear us. This house concert was way overdue, it was part of a pledge for the campaign for the second MOAT album Poison Stream from 2019 paralysed by the pandemic. Finally, we were here to honour the pledge. I chose the Takamine over the Taylor as my second guitar, a nice night with friends and music lovers, thanks Tery and Jen for having us and for all the support. By the time everyone had left and we’d had a last chat with our hosts and a welcome cuppa, we were pulling into the hotel car park at 2 AM. We checked in and I blogged, as you do.

Music today was Robert Wyatt’s Greatest Misses (2004/2020). Originally only available in Japan on CD in 2004, Domino finally released it on vinyl in 2020. I love Robert Wyatt, I couldn’t leave this album behind, thanks to Andy and George at Rough Trade NYC for having it.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

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📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
Doors & Delays 🎸 @workshop21_guitarclinic #the Doors & Delays 🎸

@workshop21_guitarclinic #thedoors #fenderstratocaster #fenderhotroddeville #nashtelecaster #rickenbacker
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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