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Jan 17 2023

TO WHERE I AM NOW

First day back in the studio with sessioneer NJ Brian for the Valley of Salt project. Sarah has kindly lent us her car, while she is away with Salim on the Rhett Miller tour. It’s a Prius, but how do you make it go? We’ve come to the conclusion that if you press all the buttons all at once, one of the sequences puts it into drive, which sequence exactly is the right one we may never know. We drove to the coffee shop in mega-posh Highland Park Village where there’s a man who is always there, every single day. He’s in his early forties, looks like a businessman, and is always talking to somebody in person and I’m almost sure it’s somebody different every time I see him – is this his office? I suppose that these days, your office is your computer anyway, who needs expensive rent? The days of downtown office space are over for the smaller businesses. The visionary entrepreneur can conquer the world from Starbucks.

We were back in the studio today with Brian, mainly to record Olivia’s string parts on the Valley of Salt album. It’s a complicated record musically and consequently, there are some involved violin parts, stacking of tracks, harmonies and all of it needing to fit with the instrumentation that’s already recorded. We also recorded the kids today for a children’s choir, also stacked. Whilst they were setting up, Brian and I went to Guitar Center to look at the possibility of picking up a Taylor 150E 12-string acoustic. They didn’t have one but we ordered one to try which we will be picking up from Cherry Hill, New Jersey, hopefully in the week.

On the way back to the studio we stopped off at a place called Potbelly for a sandwich. It was hard work – because I didn’t want it toasted or melted, I didn’t want pickle or tomato or dressing or onions or mushrooms. The simpler it was, the harder it seemed to be to make. The man behind the counter simply couldn’t believe what I wanted. It’s a different food culture over here in America. He was very concerned that I would be paying the same price for a sandwich without what he considered most of the flavour, haha. It was very nice of him to consider my satisfaction.

Back at the studio the choir kids had begun to get somewhere with the idea and were soon done so we could carry on with Olivia’s violin parts. We only have two days and she has to play the multiple violin parts on nine songs. John has been engineering these final days and doing a fine job. Between him and Kevin these three months mostly in Texas in the studio have been a blast working on three different records, sessioneer Brian’s Valley of Salt, sessioneer Fred Argir’s album and the mystery album.

It was good to have Brian back in here and getting close to finishing the actual recording. The record still has to be mixed but that’s yet to be scheduled in, and as tomorrow is the last day we won’t contemplate that till after we are done.

Music today has been Montrose, a real rocker from 1973. It was the debut album of guitarist Ronnie Montrose and starred singer Sammy Hagar, drummer Denny Carmassi and bassist Bill Church. We played this record to death when we were 15, it’s hard to shake off nearly sixty years later. Sadly Montrose died from a self-inflicted gunshot in 2012, we could never imagine such a thing as teenagers, we were so immersed in the music and we could never imagine that anybody would want to die if they had the opportunity to make albums.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

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📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
Doors & Delays 🎸 @workshop21_guitarclinic #the Doors & Delays 🎸

@workshop21_guitarclinic #thedoors #fenderstratocaster #fenderhotroddeville #nashtelecaster #rickenbacker
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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