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Jan 16 2023

TO WHERE I AM NOW

Salim was gone at 4.30 AM on the way to Philadelphia to play on an East Coast tour with Rhett Miller. We had all day to get home and unlike Salim, we had a good night’s sleep. It was five hours from San Antonio to Dallas and Sarah pulled up outside the hotel in the black beauty, parking in front of a massive pickup truck that you needed a ladder to climb into. A man ascended, he was picking up his wife, as he passed me I asked him, “How many miles to the gallon do you get” – “Thirteen,” he said. Just so you know, a US gallon is 20% less than a UK gallon but still, it’s not much and he’s lucky he doesn’t live in England with that mega beast, he’d be choosing between which beast to feed, himself or the monster he drives.

On the way from San Antonio, we stopped for breakfast, for lunch, for coffee and we even made it to a shop in one of the mega malls by the highway to buy another suitcase for our journey to NYC on Thursday. In another shop the woman guessed I was 45, haha, and, in another, it was so huge that explorers had died there. We carried on through the farmlands past Austin, past Georgetown, past infamous Waco, past Waxahachie, sandwiched between giant 18-wheelers, chunky SUVs twice the size of sedans and the occasional insane motorcyclists, weaving their way between the leviathans and the grinding gears of the traffic.

The music never sleeps, we arrived back in Dallas, dropped off our lurex stage clothes and glitter boots and drove straight to the studio to meet engineer/drummer John where we were continuing to work on the mystery project for one more evening before sessioneer NJ Brian arrived, returning for a final two days of Olivia adding strings to the Valley of Salt project. As he was in town the night before he dropped into the studio to say hi. We also had visit from engineer Kevin who was allegedly at the Austin show, I didn’t see him, confirming my suspicion that he is actually a hologram and cannot leave the studio grounds. Kevin managed to fix my guitar while he was here, the jack socket was falling out during the shows, each night I prayed for it not to break.

Our mate Bucks Burnett came around to visit with his No.18 numbered copy of The White Album (1968) and his unopened ‘Who’ gold album sent to him by Pete Townshend for naming their last album. He opened it in the studio, what a gift. He brought the Beatles album to show me, so rare, such an early number and allegedly owned by someone in the inner circle and touched by the lads themselves. As I was there to admire his No.18, he was there to admire my Malaysian White Album too.

Music today has been Pete Townshend’s Who Came First (1972), his first solo album where he’s standing on eggs in his Dr. Martens. This from Wikipedia: “The cover photo of Townshend standing on eggs is a reference to the eternal question Who came first: the chicken or the egg?”

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
Doors & Delays 🎸 @workshop21_guitarclinic #the Doors & Delays 🎸

@workshop21_guitarclinic #thedoors #fenderstratocaster #fenderhotroddeville #nashtelecaster #rickenbacker
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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