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Jan 09 2023

TO WHERE I AM NOW

This week we will be playing some shows with Salim Nourallah in Texas:

Thu, 12 January – Mucky Duck, HOUSTON
Fri, 13 January – Casa DBs, AUSTIN
Sat, 14 January – Cactus Café, AUSTIN
Sun, 15 January – The Lonesome Rose, SAN ANTONIO

You might have already seen that we are playing in Austin at the Cactus Café but we are also playing a house concert the night before at Casa DBs. The concert at the Mucky Duck in Houston will be streamed on Youtube here and is apparently free to stream. Salim will be joined by guitarist Joe Reyes, Joe played great guitar on the album we made, A Nuclear Winter. It won’t be officially released until May but he will have some very limited vinyl copies at the shows (it’s a limited run of 200 total). I also play on the album and co-produced it with Salim in Nashville and Dallas. We will also have limited vinyl copies of the Space Summit album, the Brix Smith collaboration and Atlantaeum Flood as well as vinyl copies of Hanging Out In Heaven and Nightjar. We will have MOAT’s Poison Stream and Noctorum’s Sparks Lane. See you there.

Today was my mum’s birthday and I know she will be watching the Masters snooker championship on Mars tonight. Strange that you might catch your parents up, I wonder will I make it to their age, my mum was 80 and my dad 93, if I live that long I’ll be doing very well, Olivia’s great-aunt is 103! In my 65th year, one wonders “how much of the future you can save” and how weird it will be to be the same age as your parents, or older.

In the studio with Rich, our ‘crew’ keyboardist. We had an early start, so early in fact that Olivia stayed in bed and I was sitting in the studio at 9.55 AM. We worked on three songs for the Fred project using Rich’s odd sixties organ and a Nord keyboard. We got some great takes, it’s always a pleasure to play with Rich. He plays on the new album from Salim as well as Brian’s Valley of Salt project. When he left we concentrated on violin with Olivia working till 6 PM on the Fred project before we flipped to the mystery project. As soon as we did that the computer program suddenly became unavailable and we spent two hours waiting to get it back. We eventually did and worked on two more Olivia violin tracks till midnight.

We have two days left before we go to Houston on Thursday but we will be back from San Antonio on Monday to spend two more days in the studio with Brian and the Valley of Salt project. We will be recording Olivia, it’s a busy week for her in the studio and at shows. We leave for New York on the 19th.

Music today has been Jethro Tull’s classic album Aqualung (1971), their fourth album, and it was this one that had them break through to a bigger audience. The band at this time was Ian Anderson on vocals, flute, and acoustic, Martin Barre on electric guitar, John Evan on keys, and new bassist Jeffrey Hammond-Hammond after Glenn Cornick moved on (allegedly fired for his partying live style). Hammond-Hammond was so named because his mother’s maiden name was the same as his father’s surname. Clive Bunker was on the drums, it would be Bunker’s last album for the band, replaced by Barriemore Barlow, leaving the band for the opposite reason to Clive Bunker, he got married.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
Doors & Delays 🎸 @workshop21_guitarclinic #the Doors & Delays 🎸

@workshop21_guitarclinic #thedoors #fenderstratocaster #fenderhotroddeville #nashtelecaster #rickenbacker
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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