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Jan 04 2023

TO WHERE I AM NOW

Day three in the studio today and no bass David, so I was playing his lovely Danelectro, filling in for him till tomorrow night. We managed three backing tracks today with drummer John but we decided that on the last song, we should try something different and have Paul come in and play piano tomorrow morning. We might try some violin with Olivia if the piano idea works and with David coming in to play bass on four songs we may be on percussion with John by the evening. That leaves guitars for Fred and me up until Saturday afternoon when Olivia and I have to leave for a house concert in Celina and Fred and Gerri Ann consider their drive back to the twin cities before meeting up again a week on Saturday in Austin at the Cactus Café. When I get back to Porto I will stay in bed for days.

It was one of those days today where the sun was hot and the chill was present and as the sun faded the chill crept and climbed over everything. The one-eyed cat stared out of its one good eye, suspicious after losing an eye to someone unknown, everyone is a potential predator when you have faced such an injury in what was probably an attack rather than an accident. This cat doesn’t come to you, it keeps you at a distance and runs away if you get too close, wouldn’t you?

By 6 PM it was just Kevin and I in the studio, Olivia was at the shops fixing her glasses, so we listened to songs trying to decide what to work on throughout the evening, some needed bass, some needed a discussion with Fred first, some I’d already played on. We picked an interesting moody one and I jammed through it a couple of times and came up with an idea that I developed and worked on in the intro before moving on to different parts of the song to see what was needed and what I could add. This is one of the great moments in the studio, looking for a part and finding it.

We finished at eleven, we usually do around twelve hours in the studio, sometimes more, rarely less on this project plus with only six days we are trying to get as much done as we can in the time allotted. So after this week when Fred has left, I will be back in the studio on another project and will have a day for Fred’s project with Rich on keyboards and see if I can share some studio time to play more guitars on Fred’s project even though he won’t be here past Saturday, it all depends on how much time I need to finish the other project.

Music today has been Kaleidoscope, the other Kaleidoscope, the American one that starred David Lindley. They released their debut album Side Trips in 1967 and it’s a strange affair with diverse styles whereas the English Kaleidoscope stay strictly in psychedelia land, ironically there’s more experimentation with direction in the band that is less psychedelic. Having said that you hear more of American musical history in the American Kaleidoscope, not psychedelic in the English sense, there’s no Byrds-like country in the British version whereas you can imagine the American Kaleidoscope hanging with The Byrds, The Mamas & The Papas albeit at the weirder or at least more intellectual end of the bar. Chris Darrow went on to join the Nitty Gritty Dirt Band. The whereabouts of David Solomon Feldthouse, Fenrus Epp, and John Vidican, remain a mystery, although sadly Chris Darrow died on January 15, 2020. Solomon Feldthouse died on December 12, 2021.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
Doors & Delays 🎸 @workshop21_guitarclinic #the Doors & Delays 🎸

@workshop21_guitarclinic #thedoors #fenderstratocaster #fenderhotroddeville #nashtelecaster #rickenbacker
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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