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Dec 13 2022

TO WHERE I AM NOW

Leaving Chicago today for Minneapolis, from the Swedish-influenced Andersonville (only one ‘s’). America was the destination for many Swedes between the 1840s to the 1920s. It might seem odd to leave the Nordic cold for another land and seek out one of its coldest parts in Minnesota when there was also Florida, California, New Mexico, Arizona, Texas, Alabama, or Louisiana as possible choices. But it seems it was impossible to shake off the desire to continue living in the climate that you grew up with. I get it, when I moved to Sydney in my twenties I found it difficult living in a hot climate. Although we often had nice summers in Liverpool, this was something else and I spent most of my time avoiding that burning Australian sun. In Europe, advertisements for holidays encourage you to come to a southern European location, run around the beach in a bikini (or mankini) and get a tan, in Australia, they encourage you to stay out of the sun with two out of three people getting skin cancer (as one-time sessioneer Stephen, dermatologist, confirmed).

Marty II came and picked us up from the Airbnb and we dutifully did what the rules sheet said and took the recycling and rubbish out whilst they undutifully didn’t come and fix the things they said they would. We drove directly to Rattleback Records where Andy who works there had saved me Nancy Wilson’s solo record (I’m a secret early acoustic folky Heart fan). When I got there Paul the owner was there and he asked me to sign some more albums, All About Eve’s Ultraviolet and Touched by Jesus, Noctorum’s Sparks Lane, and my solo record Nightjar. I signed them as I had the first time I was in the shop and he kindly gave me the Nancy album. He came and said hi to Olivia and Marty II and sent us on our way with a nice vibe. Marty II dropped us off, thank you everyone for making Chicago such an inspiring and pleasant experience.

At the airport, we got through the security pretty fast and I found out that at the age of 75 you don’t need to take your shoes off, useless information at 64 but one hopes to survive the Earth long enough to use it in the future. The flight was short, just 59 minutes, I sat in the seat and commented on how narrow the seats were, the guy in front of me said “so far”, it’s going to get worse. I was sleepy, I drifted off listening to music, I awoke to a beautiful bed of creamy clouds and we cruised above them for a long time before we sank down into Minnesota and the ground covered in snow. Sessioneer Fred and Gerri Ann his wife picked us up at the airport and we drove to their lovely house. We ordered food, when it arrived, it was the wrong order and the restaurant refused to take it back and send us what we had actually ordered and paid for despite it being their mistake, haha, can’t get the staff.

Music today has been The Very Best Of The Meters. I first heard them in between bands at the Liverpool Stadium, the DJ was playing their album Rejuvenation and I went and asked him what it was. I hadn’t remembered specifically which bands it was between as I frequented there regularly although I had the feeling that it was between Deep Purple and Nazareth on Feb 28th, 1973 – and then I realised that Rejuvenation was released in 1974, oops. I love Ziggy Modeliste’s drumming.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
Doors & Delays 🎸 @workshop21_guitarclinic #the Doors & Delays 🎸

@workshop21_guitarclinic #thedoors #fenderstratocaster #fenderhotroddeville #nashtelecaster #rickenbacker
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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