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Dec 02 2022

TO WHERE I AM NOW

A motorbike comes roaring down the street, full throttle, not an expensive posh motorbike but something older that makes a lot of noise because it’s had a hard life, a tired engine, a rusty chain, loose steering but travelling as fast as it could muster. It was being ridden by a kid with a pillion passenger holding on for dear life. Wrooom, it sped past us standing on the street waiting to go into the Indian restaurant that we visited on the first day. Silence, and then distant sirens, four Atlanta police SUVs, flashing lights like a Judas Priest concert in the mega dome, sirens louder, wailing, four in a row, top speed, chasing the bike. I suddenly realised I was in America.

It was the last day with Craig in the studio and it started off with the terrible news that the night before when we went to dinner he’d forgotten to lock the car door and someone stole his laptop out of the Jeep. I know the feeling of having something stolen, I still mourn the loss of my 1965 Rose Morris Rickenbacker 12-string (EB 157) even though it happened 25 years ago. Alas, all you can do is get over it, or at least place it in a compartment in the back of your brain and pull the curtain. For me, I have hope because both Peter Frampton and Jimmy Page got guitars back they’d lost years before – you never know. For Craig, he didn’t lose the data and he was insured, put it down to experience and as the computer was five years old, he needs a new one anyway…we try to be philosophical about it.

In the studio, I played some more of Craig’s Gretsch on two tracks and we looked at two more that Ben the engineer had been working on for mixing and made some comments about balances and overall sound. In between playing, Craig and I took the posh guitars that we’d borrowed from Michael at The Big House music and record store back to him along with the 1966 Fender Vibralux. Nice to have been holding a fifties Les Paul, a sixties Strat, a seventies Jazzmaster, and a white reissue SG-shaped Les Paul à la Glen Buxton and Sister Rosetta Tharpe. At the store, Michael told us he’d just seen a program on television about Rickenbacker that had me in it!!! What? Really? How’s that for coincidence? Thanks for the loan Michael, much appreciated.

Three days in the studio have gone so quickly but hopefully, we will be able to do this sometime again in the future. Working with engineer Ben has been cool too and it’s really great to see another sessioneer project taking shape, working in a real studio, and imagining a record that is inevitable. We had Craig’s wife Holly and their niece Lily come and visit in the evening, Holly has been so nice and helpful to us whilst we have been here. We said goodbye and went to dinner where the chase was on. There we met Mark, a buddy from the Night Of The Prog festival. He is a friend of the promoter and goes to the festival every year, he happens to live in Atlanta and always said, “If you are ever in town…”.

Music today has been the album I bought at the record/music store when we returned the guitars. A US version of Uriah Heep’s second album Salisbury (1971) with a different cover, I’m always looking for different versions of the same thing for the archive. Uriah Heep, the first band I ever saw. It was at Liverpool stadium in the seventies, I still remember how I was dressed.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

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📷 @salimnourallah 

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📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

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📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

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At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
Doors & Delays 🎸 @workshop21_guitarclinic #the Doors & Delays 🎸

@workshop21_guitarclinic #thedoors #fenderstratocaster #fenderhotroddeville #nashtelecaster #rickenbacker
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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