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Marty Willson-Piper

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Nov 11 2022

TO WHERE I AM NOW

I didn’t want to get up this morning, or my body didn’t, I was fine with it. Adding to the feel of under the blanket cosiness was a massive thunderstorm, heavy rain, and a cold day – the perfect situation for staying in bed all day. The sweet call of the studio changed my mind and I was up and in the car with Brian and Olivia on the way to a fume-free coffee shop. We were starting with a guide guitar acoustic track today for Jason drums and David bass to play to when they came in later. But for the rest of the afternoon, it was time to get the electric guitars out and make some sparkling noise.

Brian brought two small amps but Salim’s studio has in-house amps and it didn’t take us long to find out that the in-house amps were going to give us a better sound. We were using an old Gibson amp and a Fender Princeton in stereo through the Ibanez UE 405 effects racks (something I encourage all sessioneers to own if they can). We got a great sound on Brian’s Strat and cut the first part of the song. I then decided to have Brian use the studio Rickenbacker 12 on the same part, treble pickup sparkle. The next guitar part for the song was heavier, so we unleashed Brian’s Les Paul, took away the Gibson amp and replaced it with an old grungy Fender Deluxe that looked like it had been left out in the rain, whilst sounding like it was plugged into the sun. All this manipulating the tones, the changing around of the amps takes time but that’s what you have to do as you search for your sound.

Jason and David came in as we were finishing and they got to hear the guitars with the drums and bass they had played in the previous days, progress. We had a tricky song to record into the evening, I’ll say it again, we have such great musicians and engineer (Kevin), we wouldn’t be able to do it without them. Whilst they were setting up, Olivia and Brian and I went to get takeaway Thai, forgetting it was Friday night, we ordered and waited for ages in a very busy restaurant that we regularly frequent. We finally got our food and dropped Olivia off at home and went back to the studio to eat and continue. In between the studio and the adjacent house, a possum scurried into the shadows, it was the second animal I’d seen today, the first was in the coffee shop parking lot emptying an ashtray out of the car door onto the ground.

Music today has been a rather popular critically acclaimed album that has been mostly forgotten, or maybe it hasn’t. Marianne Faithfull released Broken English in 1979, a comeback classic with the memorable title track opening the album, the excellent The Ballad Of Lucy Jordan, John Lennon’s Working Class Hero, and the controversial Why D’ya Do It with lyrics by Heathcote Williams.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Rockin' the MOAT t-shirt next to the real deal! #m Rockin' the MOAT t-shirt next to the real deal! #moatband #poisonstream 🤘🏰

T-Shirt Design by Reid Wilson
Photo by @oliviaelektra 

#schoolkidsrecords #nikoröhlcke #wellscathedral
Peter Walsh and I getting down at the Heron Tower Peter Walsh and I getting down at the Heron Tower disco 🕺🏻 #heyday
Soundchecking at Birmingham Symphony Hall, 10th Fe Soundchecking at Birmingham Symphony Hall, 10th February, 2001. All About Eve supporting Fairport Convention.

📷 by @derektimbrell
Thanks to The Wernickis for a little glimpse into Thanks to The Wernickis for a little glimpse into their new New Mexico listening space 🌵 #nightjar #schoolkidsrecords
Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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