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Nov 02 2022

TO WHERE I AM NOW

That was a nice, unusual, most undisturbed 11-hour sleep catch-up last night. Jetlag is contradictory, it wraps its soft arms around you and pulls your eyelids down so you just can’t stay awake any longer, but then it shakes you awake at an hour you’ve never seen before and stops you in your sleep tracks. The difficulty of adjusting seems to depend on what direction you are flying and how far. Frankfurt – New York isn’t so bad. Waking up in New York, I wrote the blog and showered and we were all out of the house mid-afternoon on the way to Manhattan. We said goodbye to Jeanne at the Path (that’s the train from Jersey to Manhattan). Getting a Metro card wasn’t so easy, no humans, just a machine that wouldn’t accept the cards, we had to go out to an ATM to find some cash, and even then if the notes are slightly crumpled, the machine doesn’t like them. Finally, it worked, and then we had trouble getting through the barriers, there was a cop, I asked him to help, he said, “Officer Hindley has a broken ankle and won’t be here today,” out of nowhere, very strange. He was bloated, red, and had a strange vibe, always a hoot when hanging off the belt of a worrying character is a revolver, he told us how to put the metro ticket in the machine, step by step, like he was talking to a recruit, it wasn’t like we didn’t know how, it just wasn’t working but finally it did and we were out of his orbit – thankfully.

The New York trains always have a very varied clientele, a couple from the Indian continent opposite us, a dark-haired woman with her bag on the seat that I asked her to move which she did without a sound, and the whole trip two transport police, a black guy and a white guy, chatting, guns, you become very aware of guns in this country. At 33rd street we walked up the stairs and out of the door onto the street. Immediately a guy made a comment about my t-shirt, Television – Marquee Moon. He was a music fan, a restaurant inspector called Adam, we stood in the street for a quarter of an hour talking music, lastly about Blue Oyster Cult playing a show in NYC and performing their debut (1972), their second, Tyranny and Mutation (1973), and their third, Secret Treaties (1974). Music nerds, gotta love ‘em.

We walked up to Times Square, buzzing with people as usual, as it obviously would be. There were street performers, NYC cops, Spiderman, scantily clad ladies, and even the naked cowboy, thankfully clad in something. There were many Mickey Mice and a small Incredible Hulk. We ate Thai with Noelle from Canada at 48th and 8th and went back to Times Square for a coffee, a sit-down, and some people-watching. People-watching in Times Square is something of a sensory overload: there were Brazilians with flags, chanting “federal intervention”, there were multiple Disney and comic book characters, tourists from all over the world, locals, weed, police, the woman next to us was from Nigeria and wanted a photo. A whole lot of teenagers came and sat by us, skinning up and asking Olivia for her Instagram. There are the flashing Bladerunner billboards, beautiful giants in beautiful graphics parading all around you, clothing, jewellery, watches, films, TV shows, shoes, and huge advertising budgets, imagine the cost of promoting your product here.

We took the train downtown and walked to Union Square realising that after four years things have changed, coffee shops and diners gone, restaurants gone and even Strand Books opening hours shorter than they used to be. We still managed to get half an hour in there and I found some great titles in that short period, the only older Ian McEwan novel I hadn’t read (The Innocent, 1990), a hard-to-find Zola (The Sin Of Father Mouret, La Faute de l’Abbé Mouret, 1875), Strindberg’s The People Of Hemsö (Hemsöborna, 1887), Les Enfants Terribles (1929), a Cocteau novel I’d read but with a different translation and title (The Holy Terrors) and finally a signed first edition of Ian McEwan’s latest book, Lessons (2022). All hardbacks but one, I have a damned return flight weight problem after just one day.

In Union Square, the expensive Whole Foods psychedelic psupermarket was still open so we nipped in for the bathroom and a night picnic on the steps of Union Square. There was a pack of rollerbladers, we got talking to one of them (Isaac) before walking back to the Path train where on the platform we met Celeste in her super stripy flares and talked to her all the way home, as you do.

Music today was my T-shirt, Television‘s Marquee Moon (1977), made in New York, and people in the street acknowledged it today, despite it being 45 years old.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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Rockin' the MOAT t-shirt next to the real deal! #m Rockin' the MOAT t-shirt next to the real deal! #moatband #poisonstream 🤘🏰

T-Shirt Design by Reid Wilson
Photo by @oliviaelektra 

#schoolkidsrecords #nikoröhlcke #wellscathedral
Peter Walsh and I getting down at the Heron Tower Peter Walsh and I getting down at the Heron Tower disco 🕺🏻 #heyday
Soundchecking at Birmingham Symphony Hall, 10th Fe Soundchecking at Birmingham Symphony Hall, 10th February, 2001. All About Eve supporting Fairport Convention.

📷 by @derektimbrell
Thanks to The Wernickis for a little glimpse into Thanks to The Wernickis for a little glimpse into their new New Mexico listening space 🌵 #nightjar #schoolkidsrecords
Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

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📷 @argirgirl 

#paisleypark #prince
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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