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Nov 19 2022

TO WHERE I AM NOW

An eventful day in Dallas today despite staying in bed a little longer. Today was the day that the gospel singers were coming in, two ladies, Cherish Love and Nae Callihan. Except they were supposed to come at 2 PM, at 11 AM they arrived, we weren’t there. They wanted to change to come earlier but we didn’t get the memo till later and we’d planned to start the day later anyway, our engineer Kevin sent them away till tomorrow so we still have them to look forward to tomorrow. They are the last of the external crew that has seen Abby’s oboe and English horn, Paul’s accordion, Steve’s trumpet and trombone, Rich’s piano, Tess’ cello, and Camille’s backing vocals. It’s one of the great parts of making a record, bringing people in to play instruments that are beyond the usual suspects, drums, bass, and guitars.

So the gospel singers couldn’t make it which meant our schedule changed and Kevin and John spent the day editing and compiling with drummer Jason in to help out and play some percussion. Where were we? Well, Brian was catching up on work responsibilities after two weeks away and Olivia and I were…rehearsing for the show tonight! Yikes. We were playing at the house of the people (Carron and Ed) who we were staying with in the cosy apartment above the garage. We hadn’t played together like this for some time and when we did it was over the internet which isn’t quite the same as a fleshy audience, haha. Plus a new guitar I’d hardly played and a borrowed guitar that will be a great guitar when it has new strings and when it is set up but tonight both were a little tricky especially when my fingers are not yet hardened to pressing down 12 strings firmly onto the neck. Add the issues with my hands and I was wondering how it was all going to work.

Carron and Ed live in a lovely big house in the Highland Park area of Dallas, that place where I wondered where the occupants of the large houses are (and by the way, Saturday is as deserted around here as any day in the week) but tonight in their house it was packed with guests, catering, and lots of chairs in front of the fireplace where we were going to play. There was no PA, we were truly playing unplugged which also is a little tricky, no verb on the violin, no electrical response to the guitar, and no microphone to sing into, just the faces of an uninitiated audience, 90% of whom had no idea who we were.

Well, without giving you every detail, we did it, we pulled it off, the audience even clapped, even cheered and that short rehearsal in the middle of making an album worked because we do know the songs we played, I know the words, we know the parts and the arrangements from gigs we have done before and the knowledge sticks. We played at eightish, chatted till midnightish and I retired to the garage for a potential sesh that didn’t happen and consequently fell into bed with only one thought in my mind, Cherish Love and Nae Callihan will be in the studio with us tomorrow, and that’s going to be cool.

Music today has been the wonderful Tim Hardin and his debut album (1966). You may be most familiar with songs he’s written that have been covered, Reason To Believe, If I Were A Carpenter, possibly The Lady Came From Baltimore, Misty Roses and How Can We Hang On To A Dream but he has a deep catalogue of great songs and a unique voice. An artist who has been slightly lost in the mists of time and well worth investigation. Some time ago I visited his grave at Twin Oaks Cemetery in Turner, Oregon, he died of a heroin overdose on December 29th, 1980 aged 39.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Rockin' the MOAT t-shirt next to the real deal! #m Rockin' the MOAT t-shirt next to the real deal! #moatband #poisonstream 🤘🏰

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Photo by @oliviaelektra 

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Peter Walsh and I getting down at the Heron Tower Peter Walsh and I getting down at the Heron Tower disco 🕺🏻 #heyday
Soundchecking at Birmingham Symphony Hall, 10th Fe Soundchecking at Birmingham Symphony Hall, 10th February, 2001. All About Eve supporting Fairport Convention.

📷 by @derektimbrell
Thanks to The Wernickis for a little glimpse into Thanks to The Wernickis for a little glimpse into their new New Mexico listening space 🌵 #nightjar #schoolkidsrecords
Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

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#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

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TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

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📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

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📷 @argirgirl 

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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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