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Jul 21 2022

TO WHERE I AM NOW

Driving alongside the Rhine, low heat wave water, barges slowly moving their goods looking for the deeper channels, one wonders how they pass each other in shallower waters. The answer is, carefully. The heat has waned but it’s still summer and with the AC not working in Olivia’s mum’s car (which she has kindly loaned us for the weekend) we drive with the windows open and a warm breeze on our faces. Along the Rhine, we pass beautiful ancient villages and hills with intimidating castles of yore and grand houses built by dukes and counts of past centuries. The festival we are heading to is at Loreley, the place of legend, a siren sings enticing sailors onto the rocks, no one really knows why she does such a terrible thing, two theories are revenge for a sweetheart she could not have and the other is unwitting due to her golden hair and beautiful voice. Such are legends.

We arrived at the festival site a day early as Olivia is working. She is the production assistant, she introduces and looks after all the bands. I try and stay out of the way but get to go to the festival and see all the bands performing. The venue is an open-air amphitheatre on top of the famous Loreley Rock that overlooks the winding Rhine and the village of Sankt Goarshausen. In 2011 a barge sank here with a cargo of 2,400 tons of sulphuric acid, how is it even possible that you could transport such a cargo in a barge?

The main attraction tomorrow is Renaissance featuring singer Annie Haslam, preceded by The Pineapple Thief and Pure Reason Revolution. The day opens with Soulsplitter, Blank Manuskript and Smalltape. It should be an interesting day of new, old and unknown interesting bands with progressive leanings. Let’s hope the weather holds out, we don’t need a thunderstorm in the middle of a set. I remember once we were playing at Ottawa Blues Fest and a storm came in and drenched the stage, we had to stop, wait for it to blow over, dry everything and carry on.

The camper vans have started to arrive, music fans are here for the weekend. Behind the scene, the crews are setting up the PA and the mixing desk, the monitors and the lights. Then there are the stalls that sell records, merch tents, food tents, everything is in the process of being built. So many people involved to make this happen, security, medical, countless technicians, drivers, catering backstage, the cooks, the servers. It’s quite an operation.

Olivia and I left the site to check into our hotel, not the usual place, we had to change due to a tragedy that I won’t go into here. The new place is very nice and Michael who is in charge of running everything smoothly and coordinates it all with the promoter invited us for dinner. We sat on a large outdoor balcony, looking out over the fields, a gorgeous vista of the German countryside, bright yellow and green.

Music today has been Renaissance‘s Ashes Are Burning (1973) although most people might remember them from their top ten single Northern Lights (1978) from their A Song For All Seasons album (1978).

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Thanks to The Wernickis for a little glimpse into Thanks to The Wernickis for a little glimpse into their new New Mexico listening space 🌵 #nightjar #schoolkidsrecords
Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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