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Jul 04 2022

TO WHERE I AM NOW

It’s Monday, back in the studio in a climate of relentless torrential rain, wind and flooding. There is no flooding where we are staying but further south and west of Sydney it’s another disaster after the floods earlier in the year. In the studio the rain pummels the roof like a drill, competing with the monitoring as I play guitar on the tracks. I occasionally get up, walk to the front door and just watch it come down, the power, the dazzling arrows in the streetlights, nature sending a message. This weather system is scary, in the morning, you look out from the balcony at the low clouds and the choppy sea but you can’t imagine that as the days move along that the rain will come down so hard. The birds have disappeared, people are being evacuated and although we are not experiencing the hardships we are very aware that it is happening close by as people watch their properties drown.

We had a brand new song to record today, starting from scratch. The six songs we were working on are not finished but they all have my lead vocal and guitars on and what the rest of the band had recorded before I arrived (drums, bass, rhythm guitars). Olivia has started adding violins where we want them and tomorrow will begin adding her voice where needed. I will sing the new song too. But this has been recorded differently, in reverse, upside down as they say. The others were recorded with the rhythm tracks first but as I’m leaving in eleven days we decided that we should do all my parts, and any Olivia parts, we can add proper drums and bass afterwards (Tony was here to record his rhythm parts). There’s also backing vocals to go on, other instruments, maybe some piano, some Mellotron, let’s see. Finally, it all has to be mixed. Making records is kool.

I’m at five months without sugar but I’ve discovered sugar-free biscuits! I wonder what other dastardly chemicals are inside them. On the positive side, if you stop with sugar for enough time, products that are full of it taste too sweet and you soon no longer crave the evil sweetness. Still, you can’t avoid sugar completely, I just mean, in cakes, sweets, and fizzy drinks. I haven’t been able to get to the pool once since I’ve been here, the project keeping me busy as it probably will till when we leave for Frankfurt on July 16th.

Meanwhile, in Germany, Olivia’s dad, Gerd, went to pick up sessioneer Brian McMurtry’s By Light Of Day album that I produced remotely. His name wasn’t on the slip they left, so they wouldn’t give it to him. I had to sign an elaborate form giving him authorisation. I had one week, and a weekend in between, we have no printer or scanner but I had to get the form with my signature back to him in Germany. With DC’s printer’s help and Olivia’s ingenuity, we did it. Gerd went to the post office, got the record, his name was on the package…twice. When he questioned them about it they said, “But your name wasn’t on the slip”. Idioten!

Music today has been Manfred Mann’s Earth Band – The Roaring Silence (1976) as we are being blinded by the rain.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Thanks to The Wernickis for a little glimpse into Thanks to The Wernickis for a little glimpse into their new New Mexico listening space 🌵 #nightjar #schoolkidsrecords
Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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