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Marty Willson-Piper

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Jun 29 2022

TO WHERE I AM NOW

Today was the second day of lead vocals on the Arktik Lake project. It’s another stage in the process and it’s an extremely concentrated process as you are figuring out how to sing the song, tones, melodies and in the case of Arktik Lake I’m the singer but I’m not the lyricist so you are interpreting the words of another soul. But then there’s Elton John, he did it so I can, haha. Of course, there are thousands of songs where someone else wrote the words but it is different to singing words you wrote yourself.

So it was a long day in the studio, eleven hours, but I managed to sing the lead vocals on three songs and then comp them into the best performances. Olivia told me that Billie Eilish got some flak (I like her by the way) when she described her process and talked about comping vocals. I suppose people don’t realise how it’s done, Dare told me that when he worked with McCartney on the record he did with Elvis Costello, McCartney would come in and “drop in on the track for breaths”. So even a singer as good as him comps, and even comps his breath.

I was just reminded that I had a dream, I don’t know if it was last night or a previous night, but the dream was that Elvis Costello had failed to qualify for the British entry for the Eurovision Song Contest by coming eighth! Haha. Apparently, it was the first time he had failed to get through to the next stage. Weird, I bet he was sooo disappointed. I must try and remember more dreams, perhaps have a notepad by the bed because they often dissipate moments after you wake up and they are lost. It was just the hint in the last paragraph that made me remember parts of this one.

I don’t usually talk too much about food, but the cafe we go to in Collaroy for takeaway coffee on the way to the studio has pumpkin soup. I can officially proclaim on behalf of the nation of Australia that they have the best pumpkin soup in the world. It’s such a popular dish here, you see it everywhere, I guess they got good at it. Which reminds me, I can’t have falafel three nights in a row. One of the problems in the studio is breaking the flow. Dinner sometimes comes along in the middle of inspiration and your stomach is gnawing at you whilst you are tearing out a lead solo or expressing the most sensitive line you ever sang. Haha.

Music today has been The Rolling Stones‘ Let It Bleed (1969), featuring many classic Stones tracks and opening with Gimme Shelter. Allegedly, Clayton, who was summoned from her bed and four months pregnant suffered a miscarriage on return home after her exertions during the recording. Brian Jones doesn’t play on the track although he was in the studio, it was recorded somewhere between February and November 1969, Jones died on 3rd July that year.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Bye bye, Oz! Okay, so I’d better go pack, we hav Bye bye, Oz! Okay, so I’d better go pack, we have to be up at 5.30 AM. And oh yes by the way, Olivia remembered at 11.41 PM that today was our six years anniversary together, haha 😍

📷 @tonyrumble
Triple Marty Triple Marty
OUT NOW 💪 Afridi/Willson-Piper present SISYPHU OUT NOW 💪

Afridi/Willson-Piper present SISYPHUS off their debut album In The End, The Birds Will Sing (2022, tba).

Available to stream via the usuals.

@ahadafridi @afridiwillsonpiper #ahadafridi #martywillsonpiper #intheendthebirdswillsing #thesessioneerseries #songwritingandguitarguidance
We can't decide what colour this Strat is... We can't decide what colour this Strat is...
Ambidextrous Comping 🎸 #arktiklake Ambidextrous Comping 🎸 #arktiklake
Star Tracking 🖖 #arktiklake #oceanicstudiobroo Star Tracking 🖖

#arktiklake #oceanicstudiobrookvale
In autumn 2018 I went to Nashville, Tennessee, to In autumn 2018 I went to Nashville, Tennessee, to work with Salim Nourallah and his band, Richard on keys, Joe on guitars, Jason on bass and drums, and John on drums and bass and in a co-production role with Salim and as a fifth member of his band. After Nashville we retired to Dallas where all but Joe live (he lives in San Antonio) and worked on overdubs, mixing was next…then the pandemic hit. Finally, the album is now mixed and will be released in early 2023 but before that, we have the See You In Marfa EP from those sessions released yesterday on Bandcamp:

www.palosantotx.bandcamp.com/album/see-you-in-marfa-ep

A CD is also available and streaming will be from August 19th. The lead track on the EP is Hold On To The Night, complete with a video featuring an animated yours truly and co-written (a bit) by me: https://youtu.be/GhUk-MDm1VQ

This whimsical video was done by an Australian videographer/musician, Jordan Thompson.

#salimnourallah #martywillsonpiper #holdontothenight #seeyouinmarfa #seeyouinmarfaep #anuclearwinter #jordanthompson #rickenbacker
Are we at home here or what? #lardocelar #garagea Are we at home here or what?

#lardocelar #garageandstage #jazzbirthday
Many years from now... ✨ #handymen Many years from now... ✨

#handymen
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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

MARTY WILLSON-PIPER © 2022 - Front Page Images by Hajo Müller