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Jun 12 2022

TO WHERE I AM NOW

I awoke to do a sesh with John in Brooklyn this morning. It seems to be working with American sessioneers – night for them and morning for me. I was wondering whether it would work with the time difference but I seem to have figured it out. Talking of nighttime, it gets dark shockingly early here in Australian winter. After just getting used to summertime in Portugal with clock changes and extended daylight we’ve suddenly been plunged into early darkness. At 5.30 PM the sky is black and although the Australian winter is mild after what we are used to living in England, Germany or especially Sweden, a chilly wind and a short day remind you that winter is indeed upon you. Getting back to Portugal will be a real shock as we return at the height of summer.

We decided to walk to Dee Why. Olivia thinks it’s a funny name and I suppose it is. We were going to walk along the beach but stuck to the road. There was a police breath testing unit stopping the cars and apparently, they have the technology these days to test for weed. As a non-driver everyone drives too fast for me maybe it’s because I’m the son of Merseyside’s road safety officer. My dad was head of a government department that was dedicated to road safety in the northwest, stopping accidents with seatbelt campaigns and the like. He was often seen on the streets of Liverpool sporting a multi-coloured golf umbrella. Drawing attention to child safety and scaring people to death with posters of pretty girls with stitches across their faces where they’d gone through the windscreen because they weren’t wearing a seat belt, the consequence seems to be that with all that horror of death and damage on the roads, I don’t drive.

The bird life here was highlighted again as we walked. On the side of the road were twelve sulphur-crested cockatoos idly picking at the vegetation below one of Australia’s alien trees. We stood and watched them for about fifteen minutes before they eventually flew off, landing in a tall tree nearby, from there, flying through the trees screeching and squawking like the resurrected armies of hell. On the subject of the racket of Australian birds, outside our bedroom window here at Tony’s house, there’s a party tree (bottlebrush) for raucous rainbow lorikeets. Sandy, Tony’s son, put’s it down to the bird bath just below the tree in the neighbour’s garden where they can be seen frolicking and submerging themselves in the water frantically flapping their wings. Then there’s the kookaburra, which we hear each day, another bird with the cackle of an exiled witch.

Still on the subjects of birds, yesterday at Circular Quay where the ferry landed, the clash of beauty, fascinating nature and reality, as an Ibis rummaged through a garbage bin. Also on the walk a bush turkey casually wandering through a garden and of course the ubiquitous Indian Myna bird with its loud melody. By the way, David Attenborough is 95, go and watch his wonderful documentaries, knowing he’s still out there making them.

Last but not least on the subject of the exotic, at the psychedelic psupermarket I bought some psychedelic fruits: paw-paw, dragonfruit and red papaya, taking advantage of being in a country where such things grow. As the night drew close I took a picture from the balcony of Tony’s house that reminded me of Australia’s ghostly dusk.

Music today has been more than one album, Al Stewart’s Year Of The Cat (1976), Kelley Stoltz’s new album The Stylist (2022), Paul McCartney and Wings‘ Band On The Run (1973) and John Lennon’s Mind Games (1973).

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

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📷 @salimnourallah 

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📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

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📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
Doors & Delays 🎸 @workshop21_guitarclinic #the Doors & Delays 🎸

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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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