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May 31 2022

TO WHERE I AM NOW

So this is Dubai, a part of the United Arab Emirates. The flight wasn’t as long as expected, just six hours, but we have a four-hour layover and a fourteen-hour flight to Sydney next. I’ve never been to the mysterious middle east, as in beyond the airport, but we are hoping to go to Lebanon next year, Mohamad and his family who are looking after our flat in Portugal have a place there and we’ve been invited. You can see the futuristic city of Dubai in the distance when you get off the plane, all those mirrored tall buildings. When you get into the airport it’s a melting pot of different cultures, multiple languages, strange clothes and extravagant duty-free shops with expensive handbags and shiny rubbish. The airport is huge and an architectural wonder, it probably looks amazing from the outside. For now, we wait and eat. Olivia tried and failed to buy an adaptor for our European plugs in Australia, it was £30, welcome to Dubai.

We won’t arrive in Sydney till early Wednesday morning and with no chance of internet till then, so early Tuesday blog today. We will be in another different culture on the other side of the world, all the influences of Europe and America but evolved into a separate world on its own trajectory. There’s the jetlag to consider – I hope to get over it as quickly as possible so I can be ready for the studio next week. There’s nothing worse than falling asleep halfway through dinner and hopefully it won’t be during the Arktik Lake band dinner with Tony, DC and Nigel who I will be meeting for the first time on Friday.

Music today has come from my iPod, the audio on the Emirates flight was so bad and the headphones so cheap and nasty that I couldn’t bear to put myself through seeing an interesting film on a hopeless screen with a rotten sound. I tried to read but the light was hopeless too, far away and not directed properly to where I was sitting. Hopefully, Qantas to Sydney will be better quality. My iPods (now deleted from the Apple catalogue) haven’t been updated for years but the range of music is rather extensive, although one of my more interesting musical categories, ‘miscellaneous’, stopped working, yes I have iPods filled in order of musical categories. So, onto the rock iPod, I listened to some basic R’n’R with ZZ Top’s Degüello (1979). On the title, this from Wikipedia:

Degüello” means “decapitation” or, idiomatically, when something is said to be done “a degüello”, it means “no quarter” in Spanish (as in, “no surrender to be given or accepted—a fight to the death”). It was also the title of a Moorish-origin bugle call used by the Mexican Army at the Battle of the Alamo in 1836.

Interestingly the first track is a Sam and Dave soul song written by David Porter and Isaac Hayes and interpreted in their own inimitable style by these hairy Texans. On side two, track one is the Robert Johnson song Dust My Broom, written in 1936. This style of music attracts me mainly because of ‘feel’ and these dudes surely have it. RIP bassist Dusty Hill who died in July last year. Apparently, he has been replaced by his stage tech, Elwood Francis. Guitarist Billy Gibbons and drummer Frank Beard (the one without a beard) carry on. I wonder if Elwood had to grow a beard before he joined or maybe he already had one.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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Bye bye, Oz! Okay, so I’d better go pack, we hav Bye bye, Oz! Okay, so I’d better go pack, we have to be up at 5.30 AM. And oh yes by the way, Olivia remembered at 11.41 PM that today was our six years anniversary together, haha 😍

📷 @tonyrumble
Triple Marty Triple Marty
OUT NOW 💪 Afridi/Willson-Piper present SISYPHU OUT NOW 💪

Afridi/Willson-Piper present SISYPHUS off their debut album In The End, The Birds Will Sing (2022, tba).

Available to stream via the usuals.

@ahadafridi @afridiwillsonpiper #ahadafridi #martywillsonpiper #intheendthebirdswillsing #thesessioneerseries #songwritingandguitarguidance
We can't decide what colour this Strat is... We can't decide what colour this Strat is...
Ambidextrous Comping 🎸 #arktiklake Ambidextrous Comping 🎸 #arktiklake
Star Tracking 🖖 #arktiklake #oceanicstudiobroo Star Tracking 🖖

#arktiklake #oceanicstudiobrookvale
In autumn 2018 I went to Nashville, Tennessee, to In autumn 2018 I went to Nashville, Tennessee, to work with Salim Nourallah and his band, Richard on keys, Joe on guitars, Jason on bass and drums, and John on drums and bass and in a co-production role with Salim and as a fifth member of his band. After Nashville we retired to Dallas where all but Joe live (he lives in San Antonio) and worked on overdubs, mixing was next…then the pandemic hit. Finally, the album is now mixed and will be released in early 2023 but before that, we have the See You In Marfa EP from those sessions released yesterday on Bandcamp:

www.palosantotx.bandcamp.com/album/see-you-in-marfa-ep

A CD is also available and streaming will be from August 19th. The lead track on the EP is Hold On To The Night, complete with a video featuring an animated yours truly and co-written (a bit) by me: https://youtu.be/GhUk-MDm1VQ

This whimsical video was done by an Australian videographer/musician, Jordan Thompson.

#salimnourallah #martywillsonpiper #holdontothenight #seeyouinmarfa #seeyouinmarfaep #anuclearwinter #jordanthompson #rickenbacker
Are we at home here or what? #lardocelar #garagea Are we at home here or what?

#lardocelar #garageandstage #jazzbirthday
Many years from now... ✨ #handymen Many years from now... ✨

#handymen
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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

MARTY WILLSON-PIPER © 2022 - Front Page Images by Hajo Müller