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Apr 27 2022

TO WHERE I AM NOW

Today I went to meet my friend Jan. He took the photos for the MOAT – Poison Stream cover and the reissue of Hanging Out In Heaven. I’m in work mode so we tried to find a window that suited us both. I left the hotel carrying a hoodie and a big coat. I knew if I walked up the mega staircase to Mosebacke I would be too hot and the sun was shining too despite the cold wind but sitting outside the bar I soon was wearing them both as the chill cancelled out the sun. We had met around midday, he was heading towards me and I was heading towards him and we found each other in the street. I’ve known Jan for 40 years. When we were walking to a café, we saw another old friend sitting in the sun outside a bar, it was Erik, who I’ve also known for 40 years and Jan has known for even longer. Olivia joined us and we all four chatted until it was time to go to rehearsals for me and everyone had somewhere else to be, three men in their sixties, watching each other grow old, remembering our younger selves. Olivia will eventually catch us up.

Second last rehearsal today, the gigs looming, tricky parts and arrangements, real Mellotron, new strings on the guitars (warning, guitar stringing details ahead) – now they ring instead of thudding like a wooden mallet on a sod of earth. I managed to destroy two strings whilst restringing my Strat. I have strange locking machine heads that didn’t work well today. There’s not supposed to be any wind on the shaft of the machine head, there’s little room because the system is made for the string to slip through the hole and be cut. In the end, one of the strings, the first E, is wrapped around the shaft as it wouldn’t lock, it’s the thinner string so it takes up little space. When you put on new strings, the difference in tone is huge, fresh metal wires ringing out.

As we walked back to the hotel, I noticed that someone had written How Soon Is Now? in a window. Smiths fan, no doubt, and one of the most loved songs by the band. It was the B-side of the 1984 single William, It Was Really Nothing and appeared on the compilation album Hatful Of Hollow (1984). In America, it was on the Louder Than Bombs compilation but not the original UK version of Meat Is Murder (1985). The Anekdoten posters had all been ripped down, other posters were up already with various artists’ tour dates and fashion victims. The streets were busy, walkers like the sun. I waited at the hotel for Nicklas to come and pick me up, chilled with the snooker. I’d been to the gym earlier for an hour. When I got there a trainer was ordering a bunch of old people (relative) around the gym. They didn’t seem to be achieving much but celebrated before they left, probably for showing up.

Just off the steps, a dead rat, flattened, a disgusting corpse, almost an expression in its death throe. At the bar, a man left the building next door with five dogs (a dog walker). The love we show to certain animals, the disgust towards others. Imagine if people walked down the street with spiders on leashes, big ones, little ones, poisonous ones. Scorpions peeping out of handbags, cockroaches running after sticks. Can you love your goldfish? Affectionate insects and fish.

Music today was the result of the sad news that German electronic pioneer Klaus Schulze had died aged 74. His solo album Irrlicht was released in 1972 after short stints in both Tangerine Dream (as a drummer) and Ash Ra Tempel. He made over 60 albums – if you start listening now…

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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Rockin' the MOAT t-shirt next to the real deal! #m Rockin' the MOAT t-shirt next to the real deal! #moatband #poisonstream 🤘🏰

T-Shirt Design by Reid Wilson
Photo by @oliviaelektra 

#schoolkidsrecords #nikoröhlcke #wellscathedral
Peter Walsh and I getting down at the Heron Tower Peter Walsh and I getting down at the Heron Tower disco 🕺🏻 #heyday
Soundchecking at Birmingham Symphony Hall, 10th Fe Soundchecking at Birmingham Symphony Hall, 10th February, 2001. All About Eve supporting Fairport Convention.

📷 by @derektimbrell
Thanks to The Wernickis for a little glimpse into Thanks to The Wernickis for a little glimpse into their new New Mexico listening space 🌵 #nightjar #schoolkidsrecords
Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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