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Apr 26 2022

TO WHERE I AM NOW

Tuesday was a family visiting day. We woke up late after a few days of too little sleep and we found our way to the subway and tried to figure out the cheapest way to travel around the city based on how long we are here. But for me, as I stand on the platform, it’s just familiarity. Over the years, I’ve stood there hundreds of times, catching a train from Slussen, the subway station near our hotel, in all directions. But because of the pandemic and the lack of live shows, we haven’t actually been here for two and a half years. The last time I was here was rehearsing for an Anekdoten show in Norway on November 2nd 2019 just before I went to Liverpool to work on The Wild Swans’ album. The black hole of the pandemic responsible for the gap.

There are no masks here and we haven’t been anywhere like this since the pandemic started. In Portugal it’s still mandatory to wear masks in all the shops and many people still wear masks in the street, I haven’t seen one mask inside or outside here in Stockholm. I was back to wearing my big coat today, that warm afternoon was something of an anomaly. On the train, I was counting the people who were looking at their phones and wondered what people did before? They read (and yes, occasionally you do see people reading a book) but what were all the non-readers doing before they did this? Staring, thinking, dozing, planning in their heads, recollecting the day, wondering about dinner. There was no distracting device but then in the modern world, all the planning and communicating is done through the phone, the digital world has become the nucleus.

Later at dinner time, I went for Thai, Olivia for Japanese, we could quite happily live the rest of our lives exclusively eating Asian food with only the veggie sausage to be missed. I walked back to the hotel before Olivia as she needed to go to the shop and my food was hot and her food was cold. On the way back we walked past the theatre where I saw Amy, I remember I had free tickets and I couldn’t find anyone who was interested in seeing it. Such a sad film for such a talented singer. I took a shortcut back and realised Olivia wouldn’t know it. Back down the steps that I walked up the other day, the descent was way easier than the ascent, although the knees don’t like it either way.

Tonight I had to string Jan Erik, Anekdoten bassist/singer’s Les Paul. The strings were so dead it was as if it was strung with strands of wool. I managed to get through it without sticking a string into the end of my finger, a bloodless stringing is a happy stringing. The Gibson Les Paul is such a heavy guitar and there are stories of guitar players ending up with permanent damage after a life of having this beast strapped to your shoulder, pulling on your neck as you pull on the neck of the guitar, tortured for the privilege.

Music today is the latest album from Tool, Fear Inoculum, released in January 2019. They are playing in Stockholm tonight, a sold-out show in a mega dome. I can’t quite see why they are so huge but I do like some of their records. Anekdoten guitarist/singer Nicklas and his partner have gone to see them tonight.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

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TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

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TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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