• Skip to main content
  • Skip to primary sidebar
  • Bands & Projects
    • Marty Willson-Piper
    • Marty & Olivia
    • Noctorum
    • MOAT
    • Atlantæum Flood
    • Anekdoten
      • How I Joined Anekdoten
    • The Church
      • Sleeve Notes
      • Videos
    • All About Eve
  • Discography
  • Gear
  • Talking
  • Lyrics
    • SOLO ALBUMS
      • In Reflection
      • Art Attack
      • Rhyme
      • Spirit Level
      • Hanging Out In Heaven
      • Nightjar
    • NOCTORUM
      • Sparks Lane
      • Offer The Light
      • Honey Mink Forever
      • The Afterlife
    • MOAT
      • Moat
      • Poison Stream
    • Seeing Stars
  • Sleeve Notes
    • Of Skins And Heart
    • The Blurred Crusade
    • Seance
    • Heyday
    • Starfish
    • Gold Afternoon Fix
    • Priest = Aura
  • Spotify
    • Marty Willson-Piper
    • Noctorum
    • MOAT
    • Atlantaeum Flood
    • Seeing Stars
  • Bandcamp

Marty Willson-Piper

The official home of Marty Willson-Piper

  • News
  • Blog
  • Shows
  • Songwriting & Guitar Guidance
  • In Deep Music Archive
  • Contact

Apr 24 2022

TO WHERE I AM NOW

In a room with drums, bass, Mellotron, guitars and voices, the thrill of making a noise again, hitting chords as Pete hits the cymbals, grooving along to Jan Erik’s bass, whisked away on Anna Sofi’s Mellotron and weaving with Nicklas’s guitars. It must be an Anekdoten rehearsal. I don’t just play the guitar in Anekdoten, I also play percussion, maracas, tambourine and shaker but it’s really hard to practice the percussion at home. With guitar you can learn the chords, and get an idea of the arrangement but with percussion, there’s the physical aspect. How long can you keep on shaking that arm? Today I found out and discovered that all that fitness work has paid off. If you wanna shake in time for six minutes in an Anekdoten song, you’d better have spent eleven weeks in the gym and the pool.

The band arrived two hours after Nicklas and me, giving us more time to work on some songs. When Jan Erik arrived he brought his Les Paul which I will be using on certain songs (beware guitar nerd talk). In the Anekdoten set, apart from playing percussion and my Strat, I need another guitar because three songs have different tunings. When I detune the Strat for these tunings it doesn’t hold its tuning well, I presume it’s something to do with how the tremolo bar is set up with the bridge piece away from the body and only three springs (it’s not a problem in concert pitch). So I use the Les Paul for these songs, it doesn’t have a tremolo bar and stays in tune well, but, it is so goddamn heavy.

We will leave for Malmö in the south on Friday, play Göteborg (Gothenburg) on Saturday and Stockholm on Sunday. When the gigs are done we’ll stay two more days to see family and friends and head back to Porto (via Gatwick and another layover) on Wednesday. We’ve known about these gigs for some time and now they are here. Other shows were cancelled due to pandemic and war (Canada and Poland) but we have these three and we are happy to be back making a noise for us and for you.

Breakfast this morning was still at a reasonable time because it’s the weekend in hotel land and they serve breakfast till eleven (I’m not sure I’ll make it before nine-thirty tomorrow, Monday). At breakfast, I had a nice chat with Open Mike Eagle and Video Dave, two rappers who were playing a show in Stockholm. They were from Chicago but lived in LA. They were commenting on the strange Swedish beds and single quilts, practical from the Swedish point of view, then there’s the heated floor in the bathroom.

I haven’t had any time to walk around in Stockholm so far this trip, we arrived late, rehearsed early the next day but tomorrow it’s a 4 o’clock start. Olivia went walking today and tomorrow is off to Uppsala for a tattoo, that leaves me to wander till I get picked up. Tuesday we won’t be rehearsing because the lads and lassie work, have kids and at night Nicklas and his partner Sophie are going to see Tool, sold out. So I’m hoping I can meet my friend Jan. Jan took the pic for the MOAT album Poison Stream and the Hanging Out In Heaven vinyl reissue.

Music today has been Trettioåriga Kriget (30-year war) because Nicklas was playing their second album from 1975, krigssång (war song) in his car. Their debut album was released in 1974 and after five albums they broke up in 1981. In 2004 they reappeared and released another five albums up till 2021. What are they like? Have a listen.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

Reader Interactions

Leave a Reply Cancel reply

You must be logged in to post a comment.

Primary Sidebar

  • spotify
  • facebook
  • instagram
  • youtube

Liking the blog?

Tour Dates

Instagram

Bye bye, Oz! Okay, so I’d better go pack, we hav Bye bye, Oz! Okay, so I’d better go pack, we have to be up at 5.30 AM. And oh yes by the way, Olivia remembered at 11.41 PM that today was our six years anniversary together, haha 😍

📷 @tonyrumble
Triple Marty Triple Marty
OUT NOW 💪 Afridi/Willson-Piper present SISYPHU OUT NOW 💪

Afridi/Willson-Piper present SISYPHUS off their debut album In The End, The Birds Will Sing (2022, tba).

Available to stream via the usuals.

@ahadafridi @afridiwillsonpiper #ahadafridi #martywillsonpiper #intheendthebirdswillsing #thesessioneerseries #songwritingandguitarguidance
We can't decide what colour this Strat is... We can't decide what colour this Strat is...
Ambidextrous Comping 🎸 #arktiklake Ambidextrous Comping 🎸 #arktiklake
Star Tracking 🖖 #arktiklake #oceanicstudiobroo Star Tracking 🖖

#arktiklake #oceanicstudiobrookvale
In autumn 2018 I went to Nashville, Tennessee, to In autumn 2018 I went to Nashville, Tennessee, to work with Salim Nourallah and his band, Richard on keys, Joe on guitars, Jason on bass and drums, and John on drums and bass and in a co-production role with Salim and as a fifth member of his band. After Nashville we retired to Dallas where all but Joe live (he lives in San Antonio) and worked on overdubs, mixing was next…then the pandemic hit. Finally, the album is now mixed and will be released in early 2023 but before that, we have the See You In Marfa EP from those sessions released yesterday on Bandcamp:

www.palosantotx.bandcamp.com/album/see-you-in-marfa-ep

A CD is also available and streaming will be from August 19th. The lead track on the EP is Hold On To The Night, complete with a video featuring an animated yours truly and co-written (a bit) by me: https://youtu.be/GhUk-MDm1VQ

This whimsical video was done by an Australian videographer/musician, Jordan Thompson.

#salimnourallah #martywillsonpiper #holdontothenight #seeyouinmarfa #seeyouinmarfaep #anuclearwinter #jordanthompson #rickenbacker
Are we at home here or what? #lardocelar #garagea Are we at home here or what?

#lardocelar #garageandstage #jazzbirthday
Many years from now... ✨ #handymen Many years from now... ✨

#handymen
Load More… Follow on Instagram

Mailing List

In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
ORDER HERE

"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

MARTY WILLSON-PIPER © 2022 - Front Page Images by Hajo Müller