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Apr 13 2022

TO WHERE I AM NOW

Counting down to the Anekdoten shows in Sweden I had a sesh with guitarist Nicklas today about arrangements and chord sheets and discussing what I will be playing on each song as I also play percussion in the band. Staying fit helps with this, it takes some strength to shake a piece of wood and/or metal for six minutes in a row (or more) and I’m playing percussion on six songs. Unfortunately, Canada was postponed and then Poland was postponed with all the troubles of war and lingering Covid but the three Swedish gigs have survived. I have some intense rehearsal time over Easter as well as listening to Egg.

In the pool today, familiar faces, Hugo, Francesco, Gonzalo, Guru, Nuno, the regular swimmers and another man whose lane I took as he left the pool. I asked him where he was from for some reason, “Ukraine,” he said. I’ll only get to swim one more time before leaving for Sweden as the pool is closed Friday and Monday for Easter, probably a blessing in disguise with Anekdoten shows imminent and rehearsal time hard to find with a busy schedule of seshes and living. Life just takes up so much time.

Liverpool/Benfica was on tonight, no spoilers for those late to see the game. We also started watching War Of The Worlds, the series, over dinner. It seems to be a French/English production and has the appropriate sensibilities. As a kid, I was always far more interested in aliens and spaceships than cowboys and Indians, war films and things that happened on Earth. Fantasy was always the thing, the imagination it took to create worlds that didn’t exist, dreamed up in someone’s mind. I always felt more excited by a spaceship than a tank. I’m always disappointed by a sci-fi series that is more about human interaction instead of weird worlds and the creatures that live on them.

In the seventies, I read something like 25 books by Michael Moorcock. Someone in my family cleverly threw them all away when I was out hitchhiking around Europe. I won’t list all the titles here but when you see Moorcock’s bibliography, it seems I only touched the surface (of some faraway planet). Moorcock also made an album in the seventies that I bought, called New Worlds Fair by Michael Moorcock and The Deep Fix (1975). I remember it had narration and was almost good but not quite, it’s been a while maybe I need to reassess but I do remember there was some Hawkwind connection who I, of course, liked a lot because they played space rock.

I was telling the French couple I met on the bench by the Marquês square fountain the other day about my time hitchhiking around Europe in the seventies. France, Spain, Switzerland, Germany, at one point I left England, got on the ferry from Dover to Calais and arrived in France at 11 PM with nowhere to stay and £35 in my pocket. I managed to stay away for three months. When I look back now I wonder why I stayed away for such a short time. Perhaps at 18 years old part of me was being dragged into an adventure in foreign lands and the rest of me was still tied to my northern roots, Liverpool, and the desire to play music, busking didn’t quite seem like enough.

Music today has been, you guessed it, Egg and their second mad progressive release, The Polite Force (1971). Canterbury creatives with (the other) Dave Stewart on keys, Mont Campbell on bass and vocals and Clive Brooks on drums. Eccentric nutters with warm weird experiments, love, love, love.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

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📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
Doors & Delays 🎸 @workshop21_guitarclinic #the Doors & Delays 🎸

@workshop21_guitarclinic #thedoors #fenderstratocaster #fenderhotroddeville #nashtelecaster #rickenbacker
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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