• Skip to main content
  • Skip to primary sidebar
  • Bands & Projects
    • Marty Willson-Piper
    • Marty & Olivia
    • Noctorum
    • MOAT
    • Atlantæum Flood
    • Anekdoten
      • How I Joined Anekdoten
    • The Church
      • Sleeve Notes
      • Videos
    • All About Eve
  • Discography
  • Gear
  • Talking
  • Lyrics
    • SOLO ALBUMS
      • In Reflection
      • Art Attack
      • Rhyme
      • Spirit Level
      • Hanging Out In Heaven
      • Nightjar
    • NOCTORUM
      • Sparks Lane
      • Offer The Light
      • Honey Mink Forever
      • The Afterlife
    • MOAT
      • Moat
      • Poison Stream
    • Seeing Stars
  • Sleeve Notes
    • Of Skins And Heart
    • The Blurred Crusade
    • Seance
    • Heyday
    • Starfish
    • Gold Afternoon Fix
    • Priest = Aura
  • Spotify
    • Marty Willson-Piper
    • Noctorum
    • MOAT
    • Atlantaeum Flood
    • Seeing Stars
  • Bandcamp

Marty Willson-Piper

The official home of Marty Willson-Piper

  • News
  • Blog
  • Shows
  • Songwriting & Guitar Guidance
  • In Deep Music Archive
  • Contact

Mar 01 2022

TO WHERE I AM NOW

I woke up and made myself stay in bed, fell asleep, woke up again but refused to move. I had to rest today in the daytime because the gym and pool were closed and it was an opportunity. I finally rose at 2 PM, result. I’ve been hitting responsibilities, seshes, languages, Logic Pro learning and writing hard and I needed a forced rest which the day provided due to carnival season and the closure for one day at the pool. When I went there on Monday, Vera on reception was dressed as Frida Kahlo and when I told her that I had been to her house, La Casa Azul in Mexico City, she said, “Ah, it’s been a while”, playing the role to the end. I didn’t get out to experience ‘Carnaval’, the dressing up and the celebration yesterday but when I looked out of the window this afternoon and saw low clouds, mist and driving rain I was glad that today was the day I got to stay in and dream.

By the time I’d had late breakfast followed by late lunch, it was soon time for my sesh with Chris in New Jersey. Olivia went to the psychedelic psupermarket as it cleared up outside. Chris and I discussed Strats and 12 string acoustics and the possibilities of Logic Pro and exchanging files across the high seas, and the low Cs. Finally, it was time to listen to sessioneer Brian in Indiana’s very polished album that we have been working on, me as a remote producer. I downloaded the record, got it into my player and decided to restart. What could go wrong? My computer wouldn’t boot up. No matter what I did it wouldn’t work, and then it was dinnertime. Over dinner, we watched episode three of Severance.

I downloaded the Brian album again. I have my desktop computer and a laptop but I also have my old (heavy) laptop from 2011, computer years are like dog years. The reason I am still using that old laptop is because I use it to play through my stereo, not through my studio monitors, which is how I wanted to listen to the album. You don’t make albums with floor-standing B&W Hi-Fi speakers but you certainly should be listening to your records through a proper Hi-Fi system, it makes a world of difference. The album sounded great and our discussion is about the running order, which ten of twelve tracks make the album. Album sequencing is a forgotten art.

Music today has been King Crimson’s classic Starless and Bible Black (1974), named from a line in Dylan Thomas’ own classic Under Milk Wood (1954). The album features Robert Fripp, John Wetton, Bill Bruford and David Cross. In the late seventies, I hitchhiked around Europe three times. One time I was somewhere in France, I frankly don’t remember where. In those days whenever you saw a Citroën 2CV, you got your hopes up. It seemed like the kind of person that drove one of those would be more sympathetic to a lonely hitchhiker with long greasy hair and a guitar. I saw a 2CV coming towards me, it stopped and picked me up. It was Martine and her boyfriend whose name was…ahh, something double-barrelled. They invited me to their house where her brother was, I think, or was Philippe driving? Haha, it was 50 years ago. At their house they were set up to play drums and guitars and in that week that I stayed (yes, I stayed a week), we jammed and we learned how to play The Great Receiver from Starless and Bible Black. Maybe that was an early rehearsal for joining Anekdoten, 45 years later. Recently out of nowhere, Martine got in touch.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

Reader Interactions

Leave a Reply Cancel reply

You must be logged in to post a comment.

Primary Sidebar

  • spotify
  • facebook
  • instagram
  • youtube

Liking the blog?

Tour Dates

Instagram

Bye bye, Oz! Okay, so I’d better go pack, we hav Bye bye, Oz! Okay, so I’d better go pack, we have to be up at 5.30 AM. And oh yes by the way, Olivia remembered at 11.41 PM that today was our six years anniversary together, haha 😍

📷 @tonyrumble
Triple Marty Triple Marty
OUT NOW 💪 Afridi/Willson-Piper present SISYPHU OUT NOW 💪

Afridi/Willson-Piper present SISYPHUS off their debut album In The End, The Birds Will Sing (2022, tba).

Available to stream via the usuals.

@ahadafridi @afridiwillsonpiper #ahadafridi #martywillsonpiper #intheendthebirdswillsing #thesessioneerseries #songwritingandguitarguidance
We can't decide what colour this Strat is... We can't decide what colour this Strat is...
Ambidextrous Comping 🎸 #arktiklake Ambidextrous Comping 🎸 #arktiklake
Star Tracking 🖖 #arktiklake #oceanicstudiobroo Star Tracking 🖖

#arktiklake #oceanicstudiobrookvale
In autumn 2018 I went to Nashville, Tennessee, to In autumn 2018 I went to Nashville, Tennessee, to work with Salim Nourallah and his band, Richard on keys, Joe on guitars, Jason on bass and drums, and John on drums and bass and in a co-production role with Salim and as a fifth member of his band. After Nashville we retired to Dallas where all but Joe live (he lives in San Antonio) and worked on overdubs, mixing was next…then the pandemic hit. Finally, the album is now mixed and will be released in early 2023 but before that, we have the See You In Marfa EP from those sessions released yesterday on Bandcamp:

www.palosantotx.bandcamp.com/album/see-you-in-marfa-ep

A CD is also available and streaming will be from August 19th. The lead track on the EP is Hold On To The Night, complete with a video featuring an animated yours truly and co-written (a bit) by me: https://youtu.be/GhUk-MDm1VQ

This whimsical video was done by an Australian videographer/musician, Jordan Thompson.

#salimnourallah #martywillsonpiper #holdontothenight #seeyouinmarfa #seeyouinmarfaep #anuclearwinter #jordanthompson #rickenbacker
Are we at home here or what? #lardocelar #garagea Are we at home here or what?

#lardocelar #garageandstage #jazzbirthday
Many years from now... ✨ #handymen Many years from now... ✨

#handymen
Load More… Follow on Instagram

Mailing List

In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
ORDER HERE

"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

MARTY WILLSON-PIPER © 2022 - Front Page Images by Hajo Müller