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Feb 11 2022

TO WHERE I AM NOW

Five days in a row at the pool and gym but I’m still not thinner. I woke up with a pain in my shoulder but sometimes you damage yourself in the night as there’s a good chance of misplacing a muscle when you’ve spent a week loosening them up. I left late for the pool, felt a bit sick but carried on for the sake of my stomach. When I got there I managed to get from the changing room to the pool forgetting my ‘Beatles’ water bottle. I jumped in with new goggles that didn’t leak and swam, feeling the pain in my shoulder, I stopped and arced my arm, trying to ease the shoulder blade. I swam on, repeating the pattern. I grabbed some floats to change strokes, kicking my legs. Then I suddenly realised that I’d forgotten my nose clip – again. So for the second time, I went back to the changing room and with consultation with Francisco, the lifeguard, put this weird piece of plastic on my nose. I jumped back in and happily discovered that the nose clip works. I’ve been having some bad chlorine after effects, sneezing, blocked nose and this stopped it. I tried to change strokes again but it was too painful for backstroke. So I swam ten lengths of breaststroke on top of the twenty freestyle and two with the float. I stretched and finished with another ten freestyle and was done. But the main point is I completed five days of swim and gym in a row and didn’t drink ten cokes and eat ten cakes.

On the way back from the pool I saw an old woman, probably in her seventies, scrolling on the face of her mobile phone. Imagine the day when the kids showed her how to do that.

I walked past a garage, there was a Ford Cougar parked outside with three wheels, the fourth wheel was under the car. I thought who names these cars? I’m always thinking about this, I’d really like that job. Cadillac Coupe De Ville, Chevrolet Corvette Stingray, do people buy a car because they like the name of it? That’s my Corvette, sounds great, perhaps not so glamorous when you say that’s my Toyota Corolla. But that Ford Cougar I saw didn’t really live up to its name, especially with three wheels. I was thinking that you could call your car your own model name and by the job or the personality of the driver. Mercury Musician, Dodge Dude and if you misuse your car you could be prosecuted and made to call your car Audi Ass****, Mercedes Moron, Ford F***wit. Haha, laughing at my own jokes.

Two seshes tonight, one with Fred in Minneapolis and the other with Mike in Chicago. Olivia gave me a small hot water bottle that she actually held against my shoulder which weirdly made my back itch. Brian in Indiana sent me another mix to listen to and Tony Arktik Lake got in touch and asked if we could do the sesh Saturday morning instead of Sunday morning. So earlier to bed tonight for an early morning.

Music today has been Miles Davis‘ Filles de Kilimanjaro just to keep Betty Davis in our minds for an extra day. This interesting snippet from Wikipedia:

“Gil Evans, with whom Davis had previously collaborated, helped compose, arrange, and produce the album, though he is not mentioned in the credits   Evans co-composed “Petits Machins”, which he later recorded as “Eleven” with himself and Davis listed as co-composers. The song Mademoiselle Mabry (Miss Mabry), while credited to Davis, is actually Gil Evans’ reworking of The Wind Cries Mary by Jimi Hendrix (Davis and Evans had met with Hendrix several times to exchange ideas).  At the same time, some portions of the song resemble Mann, Weil, Leiber and Stoller‘s On Broadway.”

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Bye bye, Oz! Okay, so I’d better go pack, we hav Bye bye, Oz! Okay, so I’d better go pack, we have to be up at 5.30 AM. And oh yes by the way, Olivia remembered at 11.41 PM that today was our six years anniversary together, haha 😍

📷 @tonyrumble
Triple Marty Triple Marty
OUT NOW 💪 Afridi/Willson-Piper present SISYPHU OUT NOW 💪

Afridi/Willson-Piper present SISYPHUS off their debut album In The End, The Birds Will Sing (2022, tba).

Available to stream via the usuals.

@ahadafridi @afridiwillsonpiper #ahadafridi #martywillsonpiper #intheendthebirdswillsing #thesessioneerseries #songwritingandguitarguidance
We can't decide what colour this Strat is... We can't decide what colour this Strat is...
Ambidextrous Comping 🎸 #arktiklake Ambidextrous Comping 🎸 #arktiklake
Star Tracking 🖖 #arktiklake #oceanicstudiobroo Star Tracking 🖖

#arktiklake #oceanicstudiobrookvale
In autumn 2018 I went to Nashville, Tennessee, to In autumn 2018 I went to Nashville, Tennessee, to work with Salim Nourallah and his band, Richard on keys, Joe on guitars, Jason on bass and drums, and John on drums and bass and in a co-production role with Salim and as a fifth member of his band. After Nashville we retired to Dallas where all but Joe live (he lives in San Antonio) and worked on overdubs, mixing was next…then the pandemic hit. Finally, the album is now mixed and will be released in early 2023 but before that, we have the See You In Marfa EP from those sessions released yesterday on Bandcamp:

www.palosantotx.bandcamp.com/album/see-you-in-marfa-ep

A CD is also available and streaming will be from August 19th. The lead track on the EP is Hold On To The Night, complete with a video featuring an animated yours truly and co-written (a bit) by me: https://youtu.be/GhUk-MDm1VQ

This whimsical video was done by an Australian videographer/musician, Jordan Thompson.

#salimnourallah #martywillsonpiper #holdontothenight #seeyouinmarfa #seeyouinmarfaep #anuclearwinter #jordanthompson #rickenbacker
Are we at home here or what? #lardocelar #garagea Are we at home here or what?

#lardocelar #garageandstage #jazzbirthday
Many years from now... ✨ #handymen Many years from now... ✨

#handymen
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

MARTY WILLSON-PIPER © 2022 - Front Page Images by Hajo Müller