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Jan 26 2022

TO WHERE I AM NOW

Last night just as we were ready to post, the internet went down. It kept us up to an ungodly hour (ungodly, what a great word). We had to use Olivia’s mobile phone hotspot to get the post out and at final bedtime, the internet was still down. Today when I got up, you guessed it, it was still down. Soooo frustrating but by mid-afternoon, it was fixed and I had mixed feelings about it because my option was to go into town and use cafe wifi. As it was fixed I didn’t need to go out. I had Mike in Chicago sessioneer works in progress to listen to plus two Brian in Indiana mixes and John in Brooklyn so obviously I needed my studio setup for proper appraisal – or did I!?

My friend Andreas in Sweden is taking over on the sessioneer projects or anything else that I do in the studio. So we were talking about headphones and he advised me to get Beyer Dynamic DT250s (80 ohms). They arrived today and he uses these for mixing because they are quality and accurate, so in reality, I could have gone down to the coffee shop and listened to the mixes and given a proper opinion on them. Yes, it’s true, I’m looking for excuses to go out because the Studio Tan is burning. I see the blue sky, I see the seagulls, I feel the breeze coming through the window but a busy week keeps me inside. If the phone doesn’t ring, you wonder why it’s not ringing, when it does you wonder when it will stop. Haha, it’s so weird being a human.

Thanks to sessioneers Tony and Jeff for the photos today. One a sunny beach, the other deep snow, that’s Sydney and Ohio at the same time of year. I didn’t see winter for long periods, I was always in Australia in summer and Europe in summer for many years. Having said that I grew up with snow and always loved it when it came floating down from the sky like a scene from a fairytale. I remember as a kid living near Glossop in the north of England, being trapped in our house as the snow climbed up the outside doors. We were near the Pennines, close to the snake pass where Def Leppard drummer Rick Allen lost his arm in a car crash. It’s amazing he survived to play again but he’s only alive because a nurse was driving by on this desolate road and came to help him (I heard).

It was all about seshes today although I had none. Logistics and listening and talking. We are trying to organise the next Arktik Lake session to happen in Portugal at the end of March with Tony flying from Sydney and Andreas from Gävle in Sweden. This is where I hope many projects will be done. It’s such a nice place to visit and isn’t ridiculously expensive. So, I listened to the tracks here in home-studio land and then spoke to Andreas about all the issues of recording a record that has been started in Sydney with drums, bass and rhythm guitars. It comes to us for me to sing and play lead guitar. I spoke to Tony about it all as he was on a bus in Dee Why. How is it even possible?

Music today went proper prog as Olivia was talking to music lover Matthew Reed Baker about Seven Is A Jolly Good Time (MRB sent me two cool music books for Chrissie). So I decided to listen to the debut Egg album from 1970. Seven Is A Jolly Good Time isn’t on the album, it’s a single from 1969 but I listened to it anyway as it came up today. If you like your prog to be Canterbury prog then this is the band for you, it never gets old because they made it from inside their heads.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

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📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
Doors & Delays 🎸 @workshop21_guitarclinic #the Doors & Delays 🎸

@workshop21_guitarclinic #thedoors #fenderstratocaster #fenderhotroddeville #nashtelecaster #rickenbacker
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Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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