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Dec 02 2021

TO WHERE I AM NOW

Today was a quest for a photograph for an album cover. I had been sent a picture from the internet of a statue in Portugal by sessioneer Brian M. who thought it might be a good album cover, as it happened it was a 15-minute walk from our flat in the centre of Porto. So today was the day to get down there while the sun was still up and because the sun goes down so early right now we took the train to Aliados to visit Fonte da Juventude Menina Nua to find that the statue was fenced off and a building site. So much for that. I did manage to take some pictures of some surrounding statues which I hadn’t done for a while and whilst in a shop nearby looking for Chrissie prezzies, I noticed that the shop next door was a camera shop so I nipped in to ask about cleaning my camera, something I’ve never done and is becoming an issue. The man in the shop looked at it and groaned, it’s bad and I have to leave it there to get a quote for cleaning it. I’ll do it, everything needs such attention to detail. So more pictures in the future but I have to get it cleaned quick sharp – get it?

For those of you that like reading reviews of records, there’s another Lost Angeles review in the Christmas issue of Record Collector (Thanks for the heads up, Priscila). It was so similar to the Mojo review that I almost thought I was reading the same review. It’s about the same length too so that added to the confusion. The album will be released as Brix Smith/Marty Willson-Piper through Cadiz Music out of England on December 17th (vinyl, CD and streaming). Talking of CDs, which it seems nobody wants anymore. It’s not because they are small, or is it? At first, I thought it was because they were digital and the streaming sites are digital but it’s also because you don’t get the full-size artwork, so you lose both ways, small artwork and digital music is essentially free anyway. How about full-sized artwork with a CD? Then you don’t have to pay the cost of making the vinyl and you also don’t have pokey artwork. It seems to me that when I sell records it’s about half and half for CD and vinyl. In my world, I would download it, and have it on CD and vinyl. In the prezzies shop, they had a CD shelf with skeletons carved into the sides which I bought, so now I have a reason to buy CDs – as if I needed one.

Whilst we are on formats, Olivia and I went to the post office today to pick up a package from Michel in France who sent me four cassettes (thanks Michel), three C60s and one C90, normal position – do you remember having them? I always used to buy TDK Chrome SA90s for recording albums and I still have hundreds of them in the archive. I now have a small portable cassette player and in the past, I found that I was most prolific when I had this simple machine as a way of writing songs and recording them. I’d use one cassette to jam for ideas, I’d use another cassette to get a rough version of songs down and then another to record the practised version. This way, the studio doesn’t write the songs, you do. Having a home studio you can use it to create songs using all the sounds and rhythms available, this is another way of doing it.

Music today has been the debut album by Marta Del Grandi, Until We Fossilize, which I discovered a few weeks ago and went back to today. Originally a jazz vocalist born in Italy she now has a more arty feel. Strange sounds, sweet melodies, odd and simple, I’m hesitant to compare her to anybody else, best listen, you’ll either like it in the first five minutes or you won’t, if you don’t it doesn’t matter if you do you’ll be happy to have discovered her.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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Rockin' the MOAT t-shirt next to the real deal! #m Rockin' the MOAT t-shirt next to the real deal! #moatband #poisonstream 🤘🏰

T-Shirt Design by Reid Wilson
Photo by @oliviaelektra 

#schoolkidsrecords #nikoröhlcke #wellscathedral
Peter Walsh and I getting down at the Heron Tower Peter Walsh and I getting down at the Heron Tower disco 🕺🏻 #heyday
Soundchecking at Birmingham Symphony Hall, 10th Fe Soundchecking at Birmingham Symphony Hall, 10th February, 2001. All About Eve supporting Fairport Convention.

📷 by @derektimbrell
Thanks to The Wernickis for a little glimpse into Thanks to The Wernickis for a little glimpse into their new New Mexico listening space 🌵 #nightjar #schoolkidsrecords
Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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