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Nov 20 2021

TO WHERE I AM NOW

Sometimes at the bi-weekly market in the Marquês square, you find all kinds of interesting things, like Catherine Wheel albums, Dutch cheese slicers and brightly-coloured dinosaurs with bearable music by The Raspberries or the Floyd piped through the trees. Then there are the times you go and there’s nothing of interest and to make it worse the dodgy PA is blasting out Boney M. The PA is brittle, toppy treble madness, it slices into your face like a knife, takes the top of your head off. What happened to the public’s need for bass? Even in the sixties, there was bass. If you had a record player with a lid, it had some bass. What didn’t have bass was the small portable transistor radio which fifty years ago sounded just about the same as a mobile phone does today. Progress.

After the market today Olivia went off to the free fixing session with my portable speakers and I went to the bakery to find they were breadless. I wonder how a bakery or a greengrocer or a supermarket, a florist, any place that sells anything fresh, manages waste. France has addressed the supermarket food waste problem, this from Wikipedia: “In February 2016, France adopted a law on fighting food waste that meant supermarkets were forbidden to destroy unsold food products and were compelled to donate it instead”. So from the breadless bakery to the psychedelic psupermarket where the lady in the bakery told me what my favourite psychedelic bread is called in Portuguese: ‘pão oito cereais’ – that’s eight-grain bread. We’ve been calling it the pointy bread – because it’s pointed at both ends. I could describe the contents of the shopping bag, veggie newt, dream tree root, happy pills, ten flavour vegan chocolate, but I’d just be making it up. This couple of heavy bags had me wondering about my hands but there’s been an improvement and although there’s still some pain I can carry fantasy shopping without causing too much damage. I wanted to get back home on this warm November afternoon because Liverpool were playing Arsenal – they won 4-0. Olivia came home during the game with even more fantasy shopping, vegetarian souls, long life sweets, left-handed fake fillets and lots of blue things. Dinner was going to be interesting tonight.

Music today was The Scream (1978), the debut album by Siouxsie and the Banshees. The album featured the angular metallic shred of John McKay and the thumping toms of Kenny Morris with Siouxsie and Steve Severin on bass. A classic in its own right with an unlikely cover of The Beatles’ Helter Skelter, the album was praised by everyone except the NME’s Julie Burchill: “The Banshees sound was a self-important threshing machine, thrashing all stringed instruments down onto the same low level alongside that draggy sub-voice as it attempts futile eagle and dove swoops around the mono-beat. Their sound is certainly different from the normal guitar-bass-drums-voice consequence. But it’s radically stodgy […] loud, heavy and levelling, the sound of suet pudding”. It was going to be a fascinating journey. A non-album single, Hong Kong Garden was released in August 1978 and reached No.7 on the UK Charts. A second non-album single, The Staircase (Mystery), was released in 1979 reaching No.24. The album released in November reached No.12 in the UK and No.36 in Australia – the world of guitars, bass and drums was changing fast.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Thanks to The Wernickis for a little glimpse into Thanks to The Wernickis for a little glimpse into their new New Mexico listening space 🌵 #nightjar #schoolkidsrecords
Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

📷 @oliviaelektra 

#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

📷 @drewliophoto 

#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

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📷 @salimnourallah 

#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
📷 @argirgirl 📷 @argirgirl
TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

KEEP IN TOUCH: https://linktr.ee/mwillsonpiper

📷 @argirgirl 

#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

📷 Rod MacQuarrie
At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

📷 @judgeschamber 

#grammysitting 👵
🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
14 January - AUSTIN
15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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