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Aug 19 2021

TO WHERE I AM NOW

Hopefully, this week will be the last week of the saga of the ear and the associated headache. I was so happy today to wake up with a normal headache. It was a stuffy room, too hot and my eyes were hurting from staring at the computer screen last night for hours, so not a surprise really but somehow a relief. Olivia went to her Portuguese lesson and I tried to sleep it off but soon realised that I needed all the windows open, the air flowing, the light and the daytime needed permission to enter. You need to blast it out of you, it doesn’t work if you seal yourself up. It can’t escape through the narrow alleyways, it needs wide-open spaces, it needs the breeze, regular gusts through open doorways rather than heavy curtains hiding you in the darkness. But, by the time Olivia came home, I still hadn’t physically been outside. I had a sesh with Jackson in Portland and afterwards, before dinner, I told Olivia I needed to get out for a walk. Out of nowhere, she said, “Let’s take Ariel out to Foz and see the sun set into the sea”.

Foz is 15 minutes away and a posh seaside suburb of Porto. It was just what I needed and we were soon racing towards the sea trying to catch the spectacular sunset, watching this huge glowing orange ball descend and disappear behind the line of the horizon. We arrived with the sun still visible and just about ten minutes before it slipped out of sight. We parked in a dubious spot but it was late and there weren’t so many people around so there wasn’t going to be anyone checking on the parking. We went across the road to the promenade and there it was, this giant magnificent circular ball of fire slowly sinking into the sea. There was a fisherman standing on the rocks and I took some pictures that were somehow made more special by his presence in the frame. In that ten minutes, the Earth moved and the sun was gone, it all happened so fast.

Comedian Sean Lock died yesterday. He died of cancer at the age of 58. I liked him a lot and I always remember one of his jokes that I might share with you sometime. Stand up seemed to become some new social Rock & Roll and it made you wonder if all those people that used to buy records, go to gigs and follow the music, were doing it because that was the choice, the comedy scene hadn’t taken off as entertainment for young people. Comedians seemed to be more for the older people. When I was a kid, I remember Morecambe and Wise, Dick Emery, Frankie Howerd, Dave Allen, and Benny Hill. It was all TV variety shows. My father had little time for pop culture and I certainly saw him scowling at the irreverent Monty Python crew. They almost made him as angry as Scott Gorham’s hair or Russell Thompkins Jr., the vocalist from The Stylistics, whose manhood he questioned because he sang in falsetto.

Music today has been another man with lots of social conscience-inspired lyrics. I saw him live once, I think it was at Long Beach Arena. Unfortunately, I saw him with someone who’d seen him in his early Asbury Park days and considered this mega concert to be a sell-out. I ignored her and enjoyed it anyway but it didn’t help. Tonight I thought I’d listen to four of his albums, his first two and his last two. So I listened to Letter To You (2020), Western Stars (2019), Greetings From Asbury Park, N.J. (1973), and The Wild, The Innocent & The E Street Shuffle (1973). Although the first two are pre the breakthrough album Born To Run (1975), before the classic Darkness On The Edge Of Town (1978) and featured an incomplete classic E Street Band lineup with Vini Lopez on drums (and his busy foot) and David Sancious on keys, they are evolving classics. Out of the last two records, I’m liking the later one, Letter To You, much more than the previous one, Western Stars, although they both seemed to be critically acclaimed. I think Springsteen fans like everything about him, I like him when he nails it.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Bye bye, Oz! Okay, so I’d better go pack, we hav Bye bye, Oz! Okay, so I’d better go pack, we have to be up at 5.30 AM. And oh yes by the way, Olivia remembered at 11.41 PM that today was our six years anniversary together, haha 😍

📷 @tonyrumble
Triple Marty Triple Marty
OUT NOW 💪 Afridi/Willson-Piper present SISYPHU OUT NOW 💪

Afridi/Willson-Piper present SISYPHUS off their debut album In The End, The Birds Will Sing (2022, tba).

Available to stream via the usuals.

@ahadafridi @afridiwillsonpiper #ahadafridi #martywillsonpiper #intheendthebirdswillsing #thesessioneerseries #songwritingandguitarguidance
We can't decide what colour this Strat is... We can't decide what colour this Strat is...
Ambidextrous Comping 🎸 #arktiklake Ambidextrous Comping 🎸 #arktiklake
Star Tracking 🖖 #arktiklake #oceanicstudiobroo Star Tracking 🖖

#arktiklake #oceanicstudiobrookvale
In autumn 2018 I went to Nashville, Tennessee, to In autumn 2018 I went to Nashville, Tennessee, to work with Salim Nourallah and his band, Richard on keys, Joe on guitars, Jason on bass and drums, and John on drums and bass and in a co-production role with Salim and as a fifth member of his band. After Nashville we retired to Dallas where all but Joe live (he lives in San Antonio) and worked on overdubs, mixing was next…then the pandemic hit. Finally, the album is now mixed and will be released in early 2023 but before that, we have the See You In Marfa EP from those sessions released yesterday on Bandcamp:

www.palosantotx.bandcamp.com/album/see-you-in-marfa-ep

A CD is also available and streaming will be from August 19th. The lead track on the EP is Hold On To The Night, complete with a video featuring an animated yours truly and co-written (a bit) by me: https://youtu.be/GhUk-MDm1VQ

This whimsical video was done by an Australian videographer/musician, Jordan Thompson.

#salimnourallah #martywillsonpiper #holdontothenight #seeyouinmarfa #seeyouinmarfaep #anuclearwinter #jordanthompson #rickenbacker
Are we at home here or what? #lardocelar #garagea Are we at home here or what?

#lardocelar #garageandstage #jazzbirthday
Many years from now... ✨ #handymen Many years from now... ✨

#handymen
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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
ORDER HERE

"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

MARTY WILLSON-PIPER © 2022 - Front Page Images by Hajo Müller