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Marty Willson-Piper

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Aug 18 2021

TO WHERE I AM NOW

After a month of having a headache, it’s been two days without. Has it all fixed itself? Did the ear drops from the pharmacy work? Was it something else caused by the water being sucked into those sensitive channels? Was it nothing to do with blockage or infection and it just needed time? Let’s hope so because I need to get on with that long list, organising moving the archive, sessions, projects being released and learning the home studio. There’s a lot to do without the added distraction of pain. So if this continues tomorrow and I wake up to the hot Portuguese sun blazing through the crack in the window where the shutter is slightly raised open to let in some air, pain-free, then I’ll be gratefully back to unabashed living and making things happen. Who was it that said, “Death is nature’s way of telling you to slow down”?

I had two seshes and an interview today that all arrived out of nowhere after a domestic day of hoovering, showering and imbibing. Another day where I didn’t get out of the house even though the sky was as blue as bright marbles and the sun was high in the sky warming up the street corners and the outdoor cafes, lovely to sit, relax and watch the world go by. So lucky, so peaceful for us here far away from the war zones and the trouble spots. Both seshes today, first with Craig in Atlanta and then Fred in Minneapolis, were with two guitarist/singers-songwriters who have just bought a Rickenbacker – Craig a rare blue one from the early 2000s and Fred a rare red one from the sixties. Even acoustically there’s that unmissable sound. They’re such beautiful instruments, unique, characterful but not for everybody. They’re special and make you do things that other guitars don’t. They are challenging but when they find their place they are the one and only.

Also tonight I had an interview with Joe Matera in Victoria where we touched on many aspects of the past and the present. We will let you know when that video will be available for viewing. If you check out his site you’ll find some interesting interviews to peruse. On the subject of almost interviews, in ten days time, we will be having the Space Summit – Life This Way listening party. We listen to the whole album with you and then take some questions. We’ve done it before with MOAT’s Poison Stream, see you there. The CD will be released on September 10th and the limited blue vinyl early next year.

ZOOM link for the LISTENING PARTY

Jerome Froese and I had a conversation today about the release of our upcoming album. There will be a whole lot of announcements coming soon about Arktik Lake 12-inch vinyl with four tracks, very limited to 200 aquamarine copies, and Afridi/Willson-Piper which at this stage will be digital-only – all are imminent with Space Summit arriving first. The album I made with Brix Smith, Lost Angeles, is expected in October. I also had a text conversation with our drummer Eddie John today. He plays on the Space Summit record, Noctorum, and MOAT. What I’m hoping for is to see him here in Portugal in the studio working on future projects and why not?

Music today has been the inimitable funky soul and social conscience of Curtis Mayfield after he left the doo-wop, soul and gospel of The Impressions. His sweet voice, catchy tunes, brilliant grooves and warm beating heart are a constant pleasure. His first four solo albums, the classic Curtis (1970), the timeless Move On Up, the classic soul of Roots (1971), the Blaxploitation movie Super Fly (1972) and the anti-Vietnam war album Back To The World (1973). Mayfield continued to make records into the seventies, eighties and nineties until in 1990 there was a terrible accident when a lighting rig fell on him leaving him paralysed. He made one more album after that, another great album, New World Order (1996). It was made in very difficult circumstances with him lying down to sing, sadly he could no longer play guitar. He died in 1999 aged 57.

Music Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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Bye bye, Oz! Okay, so I’d better go pack, we hav Bye bye, Oz! Okay, so I’d better go pack, we have to be up at 5.30 AM. And oh yes by the way, Olivia remembered at 11.41 PM that today was our six years anniversary together, haha 😍

📷 @tonyrumble
Triple Marty Triple Marty
OUT NOW 💪 Afridi/Willson-Piper present SISYPHU OUT NOW 💪

Afridi/Willson-Piper present SISYPHUS off their debut album In The End, The Birds Will Sing (2022, tba).

Available to stream via the usuals.

@ahadafridi @afridiwillsonpiper #ahadafridi #martywillsonpiper #intheendthebirdswillsing #thesessioneerseries #songwritingandguitarguidance
We can't decide what colour this Strat is... We can't decide what colour this Strat is...
Ambidextrous Comping 🎸 #arktiklake Ambidextrous Comping 🎸 #arktiklake
Star Tracking 🖖 #arktiklake #oceanicstudiobroo Star Tracking 🖖

#arktiklake #oceanicstudiobrookvale
In autumn 2018 I went to Nashville, Tennessee, to In autumn 2018 I went to Nashville, Tennessee, to work with Salim Nourallah and his band, Richard on keys, Joe on guitars, Jason on bass and drums, and John on drums and bass and in a co-production role with Salim and as a fifth member of his band. After Nashville we retired to Dallas where all but Joe live (he lives in San Antonio) and worked on overdubs, mixing was next…then the pandemic hit. Finally, the album is now mixed and will be released in early 2023 but before that, we have the See You In Marfa EP from those sessions released yesterday on Bandcamp:

www.palosantotx.bandcamp.com/album/see-you-in-marfa-ep

A CD is also available and streaming will be from August 19th. The lead track on the EP is Hold On To The Night, complete with a video featuring an animated yours truly and co-written (a bit) by me: https://youtu.be/GhUk-MDm1VQ

This whimsical video was done by an Australian videographer/musician, Jordan Thompson.

#salimnourallah #martywillsonpiper #holdontothenight #seeyouinmarfa #seeyouinmarfaep #anuclearwinter #jordanthompson #rickenbacker
Are we at home here or what? #lardocelar #garagea Are we at home here or what?

#lardocelar #garageandstage #jazzbirthday
Many years from now... ✨ #handymen Many years from now... ✨

#handymen
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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
ORDER HERE

"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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