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Dec 31 2020

TO WHERE I AM NOW

I was thinking today how that imaginary line of time that is crossed into a new year signifies so much in the mind for so many when really either side of the line is just one minute in the past and one minute into the future and the difference has little bearing on how things go. Except, that the imaginary line has people change their attitude and gives them the impetus to reset, start again, ponder the future. So it works, so it’s a good thing. The bad thing is that we need the line to get the engine restarted. You can begin anything at any time and finding inspiration on say Tuesday, April 9th or Thursday, September 19th might lack the significance that makes you want a new start – unless of course one of those dates is your birthday. New Year’s Resolutions or New Year’s Revolutions, whichever suits you, getting to April the 9th and then September the 19th from January 1st – that’s the problem. Also, is the idea to give up bad habits or instigate good habits? One leads to the other but you can also keep your bad habits and create new good habits so at least you have some balance. For us here, life habits have already changed a lot with a new country in our lives and the future is full of mysterious possibilities in a strange land – you just have to wanna.

Above us is an Airbnb and we saw some people with little wheelie bags arriving today – and as we sit here in the first few hours of 2021 it seems they are here for NYE party time. So far it’s not so bad, just bad music and talking loud. We heard some fireworks out there but this is the year of the muted celebration. It reminds me of my parents, I used to ring them and say Happy New Year, “Is it?”, my dad would say. They didn’t notice it, they didn’t have an imaginary line to cross after decades on the planet, the past morphed into the future and they couldn’t see the join. This year the line may be more defined with the greatest upheaval in living memory, everyone wants it to end but it seems that the year clicking into 21 from 20 isn’t going to change much of anything, even if you are suddenly inspired, stop smoking or decide to climb Mount Everest, I’m not sure if it’s safe even up there or if you are even allowed to visit.

We got up late today as we had those crazy early residency mornings. Stayed in bed till 1 PM and then slowly moved around till it was time to leave the house. We were meeting Phil King at a record store in Porto at 3 PM. Phil played bass with Lush, The Servants, The Jesus and Mary Chain, and Felt. He has a Portuguese partner and lives here in Porto. He was about to show us around the local record stores but in truth, we could have picked a better day to do it, it was rainy, it was New Year’s Eve and only one was open, Discos do Baú. We’d only previously talked on Skype, BJM Ricky had put us in touch. The store was owned by Miguel, he was really cool and played us some odd records. I bought a Troggs album (Black Bottom from 1981), Phil drew my attention to it and I liked the sound of it despite the year of release.

I also found an album by Majority One from 1971, great cover art, and a sixties sound despite the later release date. An English band that was called The Majority who unsuccessfully released eight singles in the sixties, moved to France, changed their name, and disbanded after one album and a Top 20 hit in Holland. It was a cool store and Miguel had me sign the first ex-band album.

We trundled off into the weather all three of us armed with umbrellas and spent a coffee’s time talking about music until around 7 PM we parted and headed back home. Olivia had picked up some groceries but we made it to the local store before they closed at 8 PM and stocked up on four days’ worth of food as the world isn’t back till next Monday. We did actually celebrate New Year with Pão de Deus, a filling indulgent vanilla half cake, half bread with a coconut frosting, it was too much, it’s still there, I’ll have another go at it before I hit the sack.

Music today was the first two albums by Scotland’s Stone The Crows – self-titled and Ode To John Law, both released in 1970. Joplinesque Maggie Bell on voice, Alex Harvey’s bro Les on guitar, tragically electrocuted at the Swansea Top Rank in 1972 (he was 27), replaced by Jimmy McCulloch who also played with Thunderclap Newman and McCartney (he died at 26). Bassist James Dewar (died at 59) was an original member before finding fame with Robin Trower, drummer Colin Allen found himself in Focus and played with an impressive list of bands from the sixties onwards. John McGinnis played keys. It’s Proggy Blues and if you haven’t heard the 17-minute I See America on Side 2 of the debut, well then you know what to do, after all, it is a new year, new challenges.

Song Of The Daze

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

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TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

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TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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