Another day in the studio today for my ears but not for my fingers. Dare was editing Ross’s double bass from the other day, doing a rough mix and playing some nylon string guitar on one song whilst recording Olivia and her various violins on another. I left my ears hanging off the studio door whilst continuing with the archive sort out, it’s slow progress but every inch of space needs to be found, even the spiders have had to move out. The archive is like a cause, the preserving of music on vinyl, 78, CD and cassette for posterity. It’s a strange ambition to collect for a future you will not see. One hopes that there will be sufficient funds or investment to realise the worth of this collection when in a hundred years time such formats and even styles of music and cover art will likely be lost. Can you imagine having an original copy of Mozart’s Piano Concerto No. 21 on original vinyl from 1785 in mint condition?

I didn’t get out much today but when I did, John in the Co-op who used to work at the leisure centre told me that the pool was opening in a week. My body has been craving the exercise, the water, the feeling of being stretched. Swimming in a mask might be interesting. Walking up and down to the beach and back to the studio, up to Dare’s house and back to the studio, it’s not enough and if you’re used to swimming laps then the sea isn’t happening, it’s just a freezing playground where you can pretend it’s summer. I remember being on Bondi Beach one New Year, the water was like ready to eat soup, something that the British will never know.

Olivia and I spoke to Stephen tonight at Schoolkids Records in the US and we plotted, we’ll have some news very soon about MOAT and the new album Poison Stream. In the meantime, my solo record Nightjar will be available on Record Store Day Part 2 in September. We still have the second Noctorum album Offer The Light CD offer at $5 plus postage and PayPal fee (email Olivia at olivia@martywillson-piper.com) and we have also released the pre Seeing Stars track Soldier under the name Never Swallow Stars as a downloadable rarities track. Space Summit is looking good for early next year and also today we listened to the track that Jerome Froese has sent us for me to sing which we will be returning to him to add his magic and mix, more on that as it happens.

In the supermarket today I heard Magic by Pilot, it never gets old, I’m singing along in my head. I don’t mind hearing old seventies Pop songs in the supermarket but I have to say that muzak in lifts does bother me. I heard a story that at a certain mall in the USA they were trying to stop kids hanging around and getting up to mischief, nothing worked and then one day some bright spark came up with the idea to pipe Phil Collins music through the speakers and they were never seen again. Haha, it’s probably not quite true but it’s an interesting idea that you can scare people away with music, it works on me. There was a book I read once called Time Of The Hawklords by Moorcock and Butterworth where they fended off their agitators by firing the music of The Carpenters and Elton John at them, silly but amusing. I would imagine that sonics have been experimented with as a weapon or have I just seen too many Sci-Fi films?

Without going over the perplexing issue of why people listen to music on such low-quality devices these days, ok, I’ve said it again, whyyyy? One classic situation that drives us musicians mad is when you are somewhere, say a garage or a shop, and they are piping music through their speaker system in the roof and say it’s The Beatles and coming out of one speaker near the till is the vocals without the band and down by the fridges it’s the band without the vocals. It’s fascinating if you want to deconstruct a Beatles song but a department store might not be the place to do it.

Music today has taken me to the Classical world and a double album of cello concertos, a cello sonata and a piano trio. But before I tell you what it is you are probably wondering what is the difference between a concerto and a sonata? Well, here’s the answer and more:

A concerto is usually a solo instrument (sometimes two or three, but usually one) with orchestral accompaniment. A sonata is usually a solo instrument with piano accompaniment. A symphony is a large work written for a full orchestra.

The tragic story of the cello genius Jacqueline du Pré is well known. At the age of 28, her musical career was over due to Multiple Sclerosis and although she lived 14 more years, she died at the age of 42. Considered one of the all-time greatest cellists she left behind a body of work part of which I listened to tonight.

Elgar Cello Concerto in E Minor
London Symphony Orchestra / Sir John Barbirolli

Haydn Cello Concerto in C
English Chamber Orchestra / Daniel Barenboim (her husband)

Beethoven Cello Sonata No. 3 in A – Piano Trio No. 5 in D ‘Ghost’
With Daniel Barenboim and Pinchas Zukerman

So how do you follow Jacqueline du Pré? The answer was simple, Emerson Lake & Palmer’s Pictures At An Exhibition, the music of Mussorgsky arranged by Keith Emerson and played live at Newcastle City Hall in 1971. It’s incredible to think that an ambitious project like this might be enjoyed by a large enthusiastic crowd of YOUNG PEOPLE. Glam was on the way but at this point, the Pop world was still transitioning from the sixties into the seventies. The Progressive genre was capturing the minds of the bright young things as they grew their hair and listened intently to this complex music played by an unlikely cast of three, including a mad virtuoso keyboard player dressed in leather, looking like a warrior rebel who would dazzle the crowds with his skills whilst thrusting a dagger into the keyboard (Keith Emerson, ex The Nice), a singer, bass player, guitarist with a sweet voice (Greg Lake, ex King Crimson) and a drummer that defied rhythm logic (Carl Palmer, ex Atomic Rooster).

To say they had a vision would be an understatement and this album, their third, had them entertaining Classical music inspired by/taken from Mussorgsky’s ten piano pieces (“painting in sound”) interspersed with their own material, including Greg Lake’s The Sage, redolent of King Crimson from whence he came. So who was Modest Mussorgsky? Well, he was a Russian composer born in Russia in 1839 and died in 1881 at the age of 42, coincidentally at the same age as Jacqueline du Pré but from self-imposed alcoholism. The young open-minded audience loved this music, passionate, skilful, dynamic, but it was to listen or shake your head to, you certainly weren’t dancing to it. Emerson Lake & Palmer were huge. I saw them at the Liverpool Empire in the mid-seventies during their Brain Salad Surgery tour.

From the sublime to the ridiculous, humorist, poet, singer, songwriter and professional Scot Ivor Cutler is something that only eccentrics might wish for. It’s hard to describe but his album Dandruff (1974) released on Virgin Records after an appearance on Robert Wyatt’s classic Rock Bottom led to his Virgin deal. It is, of course, absurd, silly, brilliant, surreal and if you haven’t heard the sad story of “Fremsley” then your life is not complete. It makes The Residents sound like Maroon 5. The previous album, Ludo (1967), was produced by George Martin who was, of course, EMI’s in house comedy producer when The Beatles came along, it’s probably what made him the right man for the Beatles job.

Martin Denny’s Exotica series was latterly hip lounge music for Tiki party goers and lovers of the Tiki culture but in the fifties, these records topped the Billboard charts. They have become famous for the album covers, the first 12 albums featured model Sandra Warner who changed her looks depending on the mood of the album. I have quite a collection of these records, this one, Exotica Volume 2, was released in 1958. What does it sound like? Well, sometimes there’s frogs, other times parrots, but always exotic instruments, percussion and piano, perhaps double bass, vibes and the occasional cicada.

Songs Of The Daze

A documentary about Jacqueline du Pré:

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Emerson Lake & Palmer – Pictures At An Exhibition, recorded at the Lyceum Theatre in December 1970.

1. “Promenade” – Mussorgsky
2. “The Gnome” – Mussorgsky/Palmer
3. “Promenade” – Mussorgsky/Lake
4. “The Sage” – Lake
5. “The Old Castle” – Mussorgsky/Emerson
6. “Blues Variation” – Emerson/Lake/Palmer
7. “Promenade” – Mussorgsky
8. “The Hut of Baba Yaga” – Mussorgsky
9. “The Curse of Baba Yaga” – Emerson/Lake/Palmer
10. “The Hut of Baba Yaga” – Mussorgsky
11. “The Great Gates of Kiev/The End” – Mussorgsky/Lake

Keith Emerson – Hammond C3 and L100 organs, Moog modular synthesizer (ribbon controller), clavinet (R.I.P.)
Greg Lake – bass guitar, acoustic guitar, vocals (R.I.P.)
Carl Palmer – drums, percussion

Audio & Video remastered by Bruno Samppa, 2016.

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Ivor Cutler – Looking For Truth With A Pin:

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Martin Denny being exotic: