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Marty Willson-Piper

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Mar 01 2020

TO WHERE I AM NOW

So for those readers using the phone, the ‘issue’ is fixed but we’ve had to remove the red background to do it. As so many people use their phone to read the blog we had to fix the formatting and John and Olivia worked on this today, we will see if we can do something beyond the white background in the future. For me today it was sessioneers, sessioneers, sessioneers! After so long away from the archive and the studio (2 months) I’m finally back, fighting through the Cornish wind and rain to get inside, unpack the records, settle in and go to sleep! I managed to make it to bed around 4am, but I had to be up for Tony in Sydney sesh at 10am so not quite enough sleep and then throughout the day, Kevin in Atlanta, Joanne in Portland, Doug in Wappinger Falls and Jed in Minneapolis. I did fit in the League Cup Final inbetween, plus the latest Picard over dinner and half an Expanse after Jed. I just wanted to say how amazing it is to see all the sessioneers progress and thank everyone for listening. Not just today, but all the other days with all the other sessioneers, just inspiring to see.

So a sedentary first day and now still sitting here, but listening to Lotus by Santana. A CD version of the triple album of jazzy Latin Rock magic and the unique sound of Carlos Santana and his band. I saw him in a restaurant once in Marin Heights on the other side of the Golden Gate Bridge. I couldn’t bring myself to say Oye Como Va or even Hello, but I do appreciate such an original player as him. Lotus was recorded live in Japan in 1973 and released in Japan in 1974 and Europe in 1975, oddly, it wasn’t released in the US till 1991.

It’s great to be back in the archive, surrounded by all the records, the artifacts and the books. I have a NAD amp, B&W speakers and a Linn Sondek turntable, but the turntable and the amp have been in the ‘fix me’ tray for years. I came back to everything working, fixed whilst I was away and I can’t believe the sound, wow! If you aren’t listening to your music on a proper sound system you are missing out on so much. Sure, a good song sounds great on a transistor radio, but the quality sonic experience is another world of joy. I will never get to hear all the records in the archive, but just playing them one by one and hearing them like this is pure inspiration.

You may wonder what’s that I’m holding in the photo. Or you may have figured out what it is and be horrified. Yes, it’s a Ziggy Stardust Barbie doll! I can only imagine that it was in the works before Bowie died as it’s a Bowie estate approved product. It’s one of the curious items we have in here. We could be the vege hard rock cafe with all these fascinating items, interesting guitars and thousands of records. There was a time when I had a guitar in the Hard Rock Cafe, was it in Sydney? I remember donating my black suede boots to the Hard Rock in LA, the ones on the Hindsight t-shirt, I’m sure they must have thrown them away when I left.

I heard from Paul (Wild Swans) today, can’t wait for the album to come out. I also saw Nicklas from Anekdoten left a message on the Abbey Road post. He’ll be here soon, I hope the coronavirus doesn’t scare him off, we are all alive down here, fresh air outside and music in the air inside. I’m keeping it short today, I have another early morning tomorrow, sesh with Stephen in Melbourne and then I simply must take Olivia by the hand and wander down to see the sea, that moody entity, that capricious beast, that mesmerizing force that inspires awe and fascination, rather like music.

Written by Marty Willson-Piper · Categorized: Blog

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

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Bye bye, Oz! Okay, so I’d better go pack, we hav Bye bye, Oz! Okay, so I’d better go pack, we have to be up at 5.30 AM. And oh yes by the way, Olivia remembered at 11.41 PM that today was our six years anniversary together, haha 😍

📷 @tonyrumble
Triple Marty Triple Marty
OUT NOW 💪 Afridi/Willson-Piper present SISYPHU OUT NOW 💪

Afridi/Willson-Piper present SISYPHUS off their debut album In The End, The Birds Will Sing (2022, tba).

Available to stream via the usuals.

@ahadafridi @afridiwillsonpiper #ahadafridi #martywillsonpiper #intheendthebirdswillsing #thesessioneerseries #songwritingandguitarguidance
We can't decide what colour this Strat is... We can't decide what colour this Strat is...
Ambidextrous Comping 🎸 #arktiklake Ambidextrous Comping 🎸 #arktiklake
Star Tracking 🖖 #arktiklake #oceanicstudiobroo Star Tracking 🖖

#arktiklake #oceanicstudiobrookvale
In autumn 2018 I went to Nashville, Tennessee, to In autumn 2018 I went to Nashville, Tennessee, to work with Salim Nourallah and his band, Richard on keys, Joe on guitars, Jason on bass and drums, and John on drums and bass and in a co-production role with Salim and as a fifth member of his band. After Nashville we retired to Dallas where all but Joe live (he lives in San Antonio) and worked on overdubs, mixing was next…then the pandemic hit. Finally, the album is now mixed and will be released in early 2023 but before that, we have the See You In Marfa EP from those sessions released yesterday on Bandcamp:

www.palosantotx.bandcamp.com/album/see-you-in-marfa-ep

A CD is also available and streaming will be from August 19th. The lead track on the EP is Hold On To The Night, complete with a video featuring an animated yours truly and co-written (a bit) by me: https://youtu.be/GhUk-MDm1VQ

This whimsical video was done by an Australian videographer/musician, Jordan Thompson.

#salimnourallah #martywillsonpiper #holdontothenight #seeyouinmarfa #seeyouinmarfaep #anuclearwinter #jordanthompson #rickenbacker
Are we at home here or what? #lardocelar #garagea Are we at home here or what?

#lardocelar #garageandstage #jazzbirthday
Many years from now... ✨ #handymen Many years from now... ✨

#handymen
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In Deep Music Archive

Songwriting & Guitar Guidance with Marty Willson-Piper
ORDER HERE

"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

MARTY WILLSON-PIPER © 2022 - Front Page Images by Hajo Müller