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Aug 19 2019

A Philosophical Musing About Artistic Pursuit In A Commercial Universe

It seemed like such a great idea and for a while it was, but at some point the pigs started walking on their hind legs.

Using Animal Farm as a metaphor for the collapse of PledgeMusic might not be a perfect way to explain what happened for countless reasons, notwithstanding the perfect allegory that the book already is, but there are parallels. That is, if you unfussily consider the farm to be the big bad music biz and the musicians to be the exploited animals. And as many execs might have been musicians before, I naively thought that we were all in this together and that Pledge and the artists were from the same stock and we were going to take over the farm and run it in a way that encouraged the arts for the arts own sake. Ok, so the connection is precarious on lots of levels, sorry, and of course not everyone is exploited (although some have been called animals) and not all mistreat their wards but in the case of this one organization with its vision of the future, the expectation, then the disappointment of PledgeMusic’s collapse is crushing. It certainly revitalized the idea that we are not in control. Finally we had a system that worked for musicians and fans until the system failed seemingly to greed (back to square one). The disillusionment and failure of this revolution was disconcerting.

Such disappointments have become known as ‘first world problems’ but still, this collapse is hard to take. It may in fact have been almost impossible to destroy something so perfect, but give humans power, give them money and watch them destroy themselves and everything around them, somehow forgetting the actual people that put them in their position and in this case they didn’t have to do much, just supplying the platform then sitting back and watching the money roll in. How could you complicate such a simple idea. You were a trust, a philanthropic society, a bridge between lovers of music, a connection between the creators and the appreciators. There are of course other platforms that seem to work and we need to trust them for next time, otherwise the bad guys have won.

In the world of Noctorum, a labour of love that places me and my oldest friend in a studio for months, exploring the puzzle of songs, just the idea that out there someone that I’ve never met would be prepared to not only support and invest in our musical project but in the event of it all falling apart, would contribute again to its recovery, is both heartening and unexpected.

The actual story of what happened with video and text can be found at the link below which leads to a GoFundMe campaign that attempts to get us back on track financially without compromising our music but also by delivering something worthy of donation. Namely a digital EP consisting of a download of two unreleased tracks from The Afterlife album sessions and two cover versions, one from cult innovators The Sound and the other from the beginnings of future major musical heroes in an early disguise as Buffalo Springfield. Add to this a conceptual drawing of a mermaid’s skeleton, photoshopped into an imagined fossil as cover art, a booklet with lyrics and credits and the possibility to download the cover as a poster, then you have – The Afterdeath EP.


Noctorum – The Afterdeath EP

Making music without costs is almost impossible but with good people sacrificing their time and resources, generosity and effort and with the emergence of the internet we can do it. This of course means we cannot in this case hold the physical in our hands despite our desire to do so. The idea of the tactile might be a thing of the past for some but we are not marrying holograms yet. The Afterlife was released on vinyl and CD, there were illustrated handwritten lyrics from songs past (not quite on parchment, written with a quill). There were internet concerts and live appearances at the end of people’s beds if they wished although they mainly occurred in the living room. There were magnets and autographs, older records resurrected and signed and all this to finance what would be Noctorum’s fourth album.


Noctorum – The Afterlife (2019)

Not receiving all the money donated due to PledgeMusic’s demise led to us making a big decision, cancel the project in full swing or see it through – we decided the latter, finishing the album, mastering it and with our dedicated label’s support manufacturing it and posting it out to all the pledgers, honouring the support and good faith whilst putting ourselves into debt. One might take this moment to say that at least we had the opportunity to do this to ourselves. A lot of artists couldn’t even finish their project and certainly couldn’t afford to mail out the result because the money simply wasn’t there to do so. So we consider ourselves lucky.

We are two weeks into our GoFundMe campaign and we have raised about a third of the money we lost, in return we offer more of our music, more of our ideas as we gratefully continue the uncertain arc of creative pursuit as we resist George Orwell’s dystopian future of doom.

Thank you!

Marty, Dare, Olivia and Stephen


www.gofundme.com/noctorum

Written by Marty Willson-Piper · Categorized: Blog, News · Tagged: Dare Mason, GoFundMe, Marty Willson-Piper, Noctorum, PledgeMusic, Schoolkids Records, Stephen Judge, The Afterdeath EP, The Afterlife

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there's any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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Thanks to The Wernickis for a little glimpse into Thanks to The Wernickis for a little glimpse into their new New Mexico listening space 🌵 #nightjar #schoolkidsrecords
Redeyed lad of the lowlands 🎵 📷 @oliviaelek Redeyed lad of the lowlands 🎵

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#danelectro #danelectrobass #redeyerecords #pleasantrylane #pleasantrylanestudio
You usually don’t spend the day in the studio an You usually don’t spend the day in the studio and the night at a gig but if you put the studio next to the gig then there’s a greater chance. So @salimnourallah did just that, he put the gig and the studio next to each other and made it possible for me to spend the day recording and the evening playing live 🎵

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#galacticheadquarters #happinessarecordlabel #pleasantrylanestudio #salimnourallah #oliviawillsonpiper
TO WHERE I AM NOW A visit in the studio today fro TO WHERE I AM NOW

A visit in the studio today from old mate Mark Burgess from The Chameleons who has been hanging in Texas recently. I was thinking about the two of us growing up in the northwest of England and all these years later finding ourselves in such an unlikely spot together. We fixed a few issues in the universe and I carried on recording some guitars until Mark had to leave. Mark had played at the Galactic Headquarters next to the studio this year as Olivia and I had four years ago and this reminded me to remind myself to remind everyone to remind their friends that we will be playing there with Salim on Saturday, New Year’s Eve, for the ultimate in intimate performance. You can get tickets here (follow link below).

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1045

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#markburgess #thechameleons #chameleonsvox #pleasantrylanestudio #happinessarecordlabel #martywillsonpiper #oliviawillsonpiper #moatband
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TO WHERE I AM NOW Sadness manifested in a buildin TO WHERE I AM NOW

Sadness manifested in a building, today we went to visit Paisley Park. Prince built Paisley Park in Chanhassen, about twenty minutes southwest of Minneapolis. It opened in 1987 and he recorded his later albums there. Apart from Prince, REM also recorded and mixed Out Of Time there, recording Kate Pearson’s vocal on Shiny Happy People vocal. Madonna had Prince play guitar on three songs from Like A Prayer and the two co-wrote Love Song, finishing it remotely due to Madonna not being able to stand the cold weather and the rather desolate location of the studio. Of course, there are things around but it’s not in the city and it’s not in the countryside, it’s in a suburb, no distractions, just what Prince wanted.

CONTINUE READING: https://martywillson-piper.com/2022/12/to-where-i-am-now-1032

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#paisleypark #prince
Marty & Pablo! 📷 Rod MacQuarrie Marty & Pablo!

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At last, a proper door stop. 📷 @judgeschamber At last, a proper door stop.

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🌵 Texas Acoustic Dates 🌵 31 December - DALL 🌵 Texas Acoustic Dates 🌵

31 December - DALLAS
7 January - CELINA
12 January - HOUSTON
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15 January - SAN ANTONIO

With @salimnourallah and @joereyesmusic

More info here: https://mailchi.mp/e47ede06acd6/texas-acoustic-dates
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"These are awesome sessions that I highly recommend for guitar players of all levels. Very informative, frank discussions on everything related to guitar and music in general. Definitely a must for anyone pursuing songwriting."
(Stephen G., VA, USA)

"Marty knows how to bypass scales and get to the heart of feel and timing. His musical knowledge spans multiple cultures and genres. Perhaps most importantly, Marty is a cool dude. I highly recommend his guitar guidance." (Jed B., MN, USA)

"Ok, so you’re sitting in your home and Marty is across the world but is actually right here teaching you how to play guitar and write songs. He is a delight to talk to and he is your teacher, meaning he wants to see you get something out of his lessons. You know he’s paying attention and wants to steer you in the right direction. I am so grateful and humbled that he offers his time in this manner. This is an amazing opportunity for anyone who admires anything from his enormous body of work. How often do you get to learn from somebody that inspired you in the first place? Amazing." (Ann S., CA, USA)

Missing

This is my stolen 1965 Rickenbacker 12-string, serial number EB157. If there’s any chance of this guitar coming back to me before I go to meet my maker, then that would be wonderful. Please contact me if you have any information.

11209512_1669022976719710_7288437867089763325_n

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